Artworks

  • Johno Mellish, A Pregnant Teenager, 2020
    Johno Mellish
    A Pregnant Teenager, 2020
    100 x 125 cm | 64 x 80 cm | 32 x 40 cm
    Chromogenic print. Signed and numbered in ink on a label accompanying the print.
    Edition of 8 plus 2 artist's proofs
  • Johno Mellish, Hardware Store, 2020
    Johno Mellish
    Hardware Store, 2020
    100 x 125 cm | 64 x 80 cm | 32 x 40 cm
    Chromogenic print. Signed and numbered in ink on a label accompanying the print.
    Edition of 8 plus 2 artist's proofs
  • Lerato Motaung, Father, 2020
    Lerato Motaung
    Father, 2020
    92 x 90 cm
    Oil on canvas
  • Lerato Motaung, Inside Oneself, 2020
    Lerato Motaung
    Inside Oneself, 2020
    107 x 94 cm
    Oil on canvas
  • Lerato Motaung, Knowledge, 2020
    Lerato Motaung
    Knowledge, 2020
    150 x 187 cm
    Oil on canvas
  • Lerato Motaung, Portal, 2020
    Lerato Motaung
    Portal, 2020
    150 x 187 cm
    Oil on canvas
  • Lulama Wolf, ‘Ho fetisa nako’ - To Pass Time, 2020
    Lulama Wolf
    ‘Ho fetisa nako’ - To Pass Time, 2020
    120 x 90 x 4 cm
    Acrylic and sand on canvas
  • Lulama Wolf, ‘Hloho Ho Dima Di Palesa’ - Head Over Flowers, 2020
    Lulama Wolf
    ‘Hloho Ho Dima Di Palesa’ - Head Over Flowers, 2020
    100 x 90 x 2 cm
    Acrylic and sand on canvas
  • Lulama Wolf, Capturing Looseness, 2020
    Lulama Wolf
    Capturing Looseness, 2020
    40 x 40 x 2 cm
    Acrylic and sand on canvas
  • Lulama Wolf, 'Sihangeni' - We Are Together, 2020
    Lulama Wolf
    'Sihangeni' - We Are Together, 2020
    120 x 90 x 4 cm
    Acrylic and sand on canvas
  • Lulama Wolf, Raised by the Bottle, 2020
    Lulama Wolf
    Raised by the Bottle, 2020
    100 x 90 x 2 cm
    Acrylic and sand on canvas
  • Lerato Motaung, Day's Eye, 2020
    Lerato Motaung
    Day's Eye, 2020
    120 x 85 x 5 cm
    Oil paint on canvas
  • Lerato Motaung, Banana Republic, 2020
    Lerato Motaung
    Banana Republic, 2020
    95 x 60 cm
    Oil on canvas
  • Lulama Wolf, The Excursionists, 2020
    Lulama Wolf
    The Excursionists, 2020
    37 x 28 cm
    Acrylic on canvas
  • Pardon Mapondera, Choda Ropa, 2020
    Pardon Mapondera
    Choda Ropa, 2020
    129 x 50 x 26 cm
    Plastic straws, thread, plastic beads
  • Pardon Mapondera, Tozvitura Kunani zvamati Makunamata, 2020
    Pardon Mapondera
    Tozvitura Kunani zvamati Makunamata, 2020
    110 x 76 x 15 cm
    Dish towels, thread, wooden beads, plastic beads
  • Pardon Mapondera, Tsamba Ye Mayo, 2020
    Pardon Mapondera
    Tsamba Ye Mayo, 2020
    147 x 72 cm
    Old tent and dish towels
  • Johno Mellish, Studio Door 1, 2020
    Johno Mellish
    Studio Door 1, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 2, 2020
    Johno Mellish
    Studio Door 2, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 3, 2020
    Johno Mellish
    Studio Door 3, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 4, 2020
    Johno Mellish
    Studio Door 4, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 5, 2020
    Johno Mellish
    Studio Door 5, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 6, 2020
    Johno Mellish
    Studio Door 6, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 7, 2020
    Johno Mellish
    Studio Door 7, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 8, 2020
    Johno Mellish
    Studio Door 8, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 9, 2020
    Johno Mellish
    Studio Door 9, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Johno Mellish, Studio Door 10, 2020
    Johno Mellish
    Studio Door 10, 2020
    29 x 19.3 cm
    Archival inkjet print on semi-gloss paper
    Edition of 6 plus 2 artist's proofs
  • Jake Michael Singer, Chromakey Dreamcoat, 2020
    Jake Michael Singer
    Chromakey Dreamcoat, 2020
    210 x 116 x 154 cm
    Marine grade stainless steel (316), automotive paint
  • Jake Michael Singer, Zephyr, 2020
    Jake Michael Singer
    Zephyr, 2020
    220 x 170 x 130 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Penumbra, 2020
    Jake Michael Singer
    Penumbra, 2020
    113 x 110 x 70 cm
    Marine grade stainless steel (316), automotive paint
  • Jake Michael Singer, Chromakey Dreamcoat Ordinal, 2020
    Jake Michael Singer
    Chromakey Dreamcoat Ordinal, 2020
    90 x 55 x 54 cm
    Marine grade stainless steel (316), automotive paint
  • Jake Michael Singer, Slow Murmur, 2020
    Jake Michael Singer
    Slow Murmur, 2020
    92 x 82 x 75 cm
    Marine grade stainless steel (316)
  • Pardon Mapondera, Todini, 2020
    Pardon Mapondera
    Todini, 2020
    155 x 56 cm
    Plastic straws and thread
  • Nonzuzo Gxekwa, Untitled VI, 2020
    Nonzuzo Gxekwa
    Untitled VI, 2020
    59.4 x 42 cm
    Archival inkjet print on enhanced matte paper
    Edition of 8 plus 2 artist's proofs
    € 3,000.00
    Nonzuzo Gxekwa, Untitled VI, 2020
    3000.00
  • Abdus Salaam, Beyond The Falls, 2020
    Abdus Salaam
    Beyond The Falls, 2020
    91.5 x 182 x 3 cm
    Diptych, acrylic on canvas board.
  • Johno Mellish, Parking Lot, 2020
    Johno Mellish
    Parking Lot, 2020
    100 x 125 cm | 64 x 80 cm | 32 x 40 cm
    Chromogenic print. Signed and numbered in ink on a label accompanying the print.
    Edition of 8 plus 2 artist's proofs
    € 3,500.00
    Johno Mellish, Parking Lot, 2020
    3500.00
  • Karla Nixon, The Smell of Spring I , 2020
    Karla Nixon
    The Smell of Spring I , 2020
    100 x 70cm
    Acrylic paint, paper, string, glue
  • Karla Nixon, The Smell of Spring II, 2020
    Karla Nixon
    The Smell of Spring II, 2020
    100 x 70cm
    Acrylic paint, paper, string, glue
  • Andrew Orapeleng Ntshabele, Journeys of the Soul 4, 2019
    Andrew Orapeleng Ntshabele
    Journeys of the Soul 4, 2019
    Unframed: 114 x 114cm
    Framed:130 x 130 cm
    Acrylic and ink on newspaper
  • Andrew Orapeleng Ntshabele, Journeys of the Soul 5, 2019
    Andrew Orapeleng Ntshabele
    Journeys of the Soul 5, 2019
    Unframed: 133 x103cm
    Framed: 150 x 119 cm
    Acrylic and ink on newspaper
  • Andrew Orapeleng Ntshabele, A Journey through time, 2019
    Andrew Orapeleng Ntshabele
    A Journey through time, 2019
    Framed: 167 x 128cm
    Acrylic on historical newspapers
  • Johno Mellish, A Family of strangers, 2019
    Johno Mellish
    A Family of strangers, 2019
    Chromogenic print. Signed and numbered in ink on a label accompanying the print.
    Edition of 8 plus 2 artist's proofs
  • Johno Mellish, Goods Lift, 2019
    Johno Mellish
    Goods Lift, 2019
    100x125 cm
    Chromogenic print mounted under Diasec. Signed and numbered in ink on a label accompanying the print.
    Sold out.
  • Anke Loots, The Light Is Not Inviting Us In, Cape Town, 2019
    Anke Loots
    The Light Is Not Inviting Us In, Cape Town, 2019
    180 x 120.1 cm | Edition of 1 plus 1 AP
    Archival pigment print on semi gloss paper, mounted on Dibond, framed in black aluminium frame with museum glass
  • Johno Mellish, Butterfly Collectors, 2019
    Johno Mellish
    Butterfly Collectors, 2019
    100 x 125 cm | 64 x 80 cm | 32 x 40 cm
    Chromogenic print. Signed and numbered in ink on a label accompanying the print.
    Edition of 8 plus 2 artist's proofs
    € 3,500.00
    Johno Mellish, Butterfly Collectors, 2019
    3500.00
  • Atang Tshikare, Dilalome, 2019
    Atang Tshikare
    Dilalome, 2019
    29.7 x 42 cm | Edition of 10
    Water-based screen print edition on BFK Rives paper.
  • Anke Loots, Dancing, Cape Town, 2019
    Anke Loots
    Dancing, Cape Town, 2019
    80 x 53.4 cm | Edition of 5 plus 1 AP
    Archival pigment print on semi gloss paper, mounted on Dibond, framed in black aluminium frame with museum glass
  • Patrick Bongoy, Sapped 3, 2019
    Patrick Bongoy
    Sapped 3, 2019
    114 x 35 x 46 cm
    Hessian threads, recycled rubber inner tube
  • Patrick Bongoy, Present 1, 2019
    Patrick Bongoy
    Present 1, 2019
    150 x 91 cm
    Recycled rubber inner tube
  • Patrick Bongoy, Present 2, 2019
    Patrick Bongoy
    Present 2, 2019
    122 x 72 cm
    Recycled rubber inner tube
  • Patrick Bongoy, Fragments 17, 2019
    Patrick Bongoy
    Fragments 17, 2019
    45 x 45 cm
    Recycled rubber
    Courtesy of EBONY/Curated
  • Patrick Bongoy, Fragments 13, 2019
    Patrick Bongoy
    Fragments 13, 2019
    45 x 45 cm
    Recycled rubber
    Courtesy of EBONY/Curated
  • Patrick Bongoy, Fragments 1, 2019
    Patrick Bongoy
    Fragments 1, 2019
    45 x 45 cm
    Recycled rubber inner tube
    Courtesy of EBONY/Curated
  • Patrick Bongoy, Fragments 15, 2019
    Patrick Bongoy
    Fragments 15, 2019
    45 x 45 cm
    Recycled rubber inner tube
    Courtesy of EBONY/Curated
  • Patrick Bongoy, Undone, 2019
    Patrick Bongoy
    Undone, 2019
    72 x 122 cm
    Recycled rubber on board
    Courtesy of EBONY/Curated
  • Patrick Bongoy, The Haunting, 2019
    Patrick Bongoy
    The Haunting, 2019
    150cm x 100cm
    Recycled rubber on board
    Courtesy of EBONY/Curated
  • Patrick Bongoy, Segment II, 2019
    Patrick Bongoy
    Segment II, 2019
    157 cm x 120 cm
    Recycled rubber on board
    Courtesy of EBONY/Curated
  • Fatima Tayob Moosa, Synchronicity 2, 2019
    Fatima Tayob Moosa
    Synchronicity 2, 2019
    Framed: 152 x 90 cm
    Acrylic, ink, enamel and cold glue on canvas and Fabriano paper.
  • Fatima Tayob Moosa, Resonance, 2019
    Fatima Tayob Moosa
    Resonance, 2019
    140 x 140 x 380 cm
    Enamel on Canvas
  • Fatima Tayob Moosa, Residual Impact 1, 2019
    Fatima Tayob Moosa
    Residual Impact 1, 2019
    Framed: 71 x 56 cm
    Acrylic and enamel on hand made paper
  • Fatima Tayob Moosa, Residual Impact 2, 2019
    Fatima Tayob Moosa
    Residual Impact 2, 2019
    Framed: 71 x 56 cm
    Acrylic and enamel on hand made paper
  • Anke Loots, Lover's Right Hand, 2019
    Anke Loots
    Lover's Right Hand, 2019
    40 x 26.7 cm | Edition of 5 plus 1 AP
    Archival pigment print on semi gloss paper, mounted on Dibond, framed in black aluminium frame with museum glass
  • Jake Michael Singer, Dived Murmur, 2019
    Jake Michael Singer
    Dived Murmur, 2019
    60 x 35 x 41 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Bent Murmur, 2019
    Jake Michael Singer
    Bent Murmur, 2019
    60 x 35 x 41 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, The Great Square Has No Corners, 2019
    Jake Michael Singer
    The Great Square Has No Corners, 2019
    4m x 4m x 2m
    Marine grade stainless steel (316)
  • Jake Michael Singer, They Who Created Themselves 1, 2019
    Jake Michael Singer
    They Who Created Themselves 1, 2019
    280 x 140 x 170 cm
    Marine grade stainless steel (316)
  • Nonzuzo Gxekwa, Black Hat, 2019
    Nonzuzo Gxekwa
    Black Hat, 2019
    59.4 x 42 cm
    Archival inkjet print on enhanced matte paper
    Edition of 8 plus 2 artist's proofs
  • Jake Michael Singer, They Who Created Themselves 2, 2019
    Jake Michael Singer
    They Who Created Themselves 2, 2019
    220 x 180 x 150 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Vertex Conditions 1, 2019
    Jake Michael Singer
    Vertex Conditions 1, 2019
    74 x 67 x 29 cm
    Plinth: 130 x 30 x 30 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Vertex Conditions 2, 2019
    Jake Michael Singer
    Vertex Conditions 2, 2019
    74 x 67 x 29 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Vertex Conditions 3, 2019
    Jake Michael Singer
    Vertex Conditions 3, 2019
    74 x 67 x 29 cm
    Plinth: 130 x 30 x 30 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Deus Faber, 2019
    Jake Michael Singer
    Deus Faber, 2019
    23 x 12 x 3 cm each
    Marine grade stainless steel (316)
  • Jake Michael Singer, Escalation Incident with Collapse , 2019
    Jake Michael Singer
    Escalation Incident with Collapse , 2019
    90 x 47 x 52 cm
    Bluened mild steel, concrete
  • Jake Michael Singer, Without what makes it settled, Earth might sink 1, 2019
    Jake Michael Singer
    Without what makes it settled, Earth might sink 1, 2019
    170 x 150 x 3 cm
    Acrylic paint on canvas
  • Jake Michael Singer, Without what makes it settled, Earth might sink 2, 2019
    Jake Michael Singer
    Without what makes it settled, Earth might sink 2, 2019
    170 x 150 x 3 cm
    Acrylic paint on canvas
  • Jake Michael Singer, Without what makes it settled, Earth might sink 3, 2019
    Jake Michael Singer
    Without what makes it settled, Earth might sink 3, 2019
    170 x 150 x 3 cm
    Acrylic paint on canvas
  • Jake Michael Singer, Wave, 2019
    Jake Michael Singer
    Wave, 2019
    300 x 130 x 130 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Stream and Murmur, 2019
    Jake Michael Singer
    Stream and Murmur, 2019
    260 x 130 x 145 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Hum and Murmur, 2019
    Jake Michael Singer
    Hum and Murmur, 2019
    160 x 130 x 145 cm
    Marine grade stainless steel (316)
  • Jake Michael Singer, Murmur and Dive, 2019
    Jake Michael Singer
    Murmur and Dive, 2019
    79 x 56 x 34 cm
    Marine grade stainless steel (316), mild steel base
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