• Art Cologne Palma Mallorca 

    Palau de Congressos de Palma
    Palma, Illes Balears, Spain
    Booth P228 
    9 - 12 April 2026
  • Duncan Wylie

    Duncan Wylie (b. 1975, Harare, Zimbabwe) is a visual artist living and working between London and Paris. He is internationally recognised for his layered expressionist paintings, in which his technical skill, gestural brushwork, and bold colour use stand out. His works unfold through complex narratives and dynamic compositions, constructed from successive transparent layers of oil paint. 
    • Duncan Wylie The Cactus and the Tsunami I, 2026 41 x 33 cm Oil on Canvas
      Duncan Wylie
      The Cactus and the Tsunami I, 2026
      41 x 33 cm
      Oil on Canvas
    • Duncan Wylie The Cactus and the Tsunami II, 2026 41 x 33 cm Oil on Canvas
      Duncan Wylie
      The Cactus and the Tsunami II, 2026
      41 x 33 cm
      Oil on Canvas
    • Duncan Wylie The Cactus and the Tsunami III, 2026 41 x 33 cm Oil on Canvas
      Duncan Wylie
      The Cactus and the Tsunami III, 2026
      41 x 33 cm
      Oil on Canvas
    • Duncan Wylie The Source, 2024 116 x 89 cm Oil on canvas
      Duncan Wylie
      The Source, 2024
      116 x 89 cm
      Oil on canvas
    • Duncan Wylie The Reservoir, 2025 70 x 63 cm Oil on canvas
      Duncan Wylie
      The Reservoir, 2025
      70 x 63 cm
      Oil on canvas
    • Duncan Wylie The Source , 2025 116 x 89 cm Oil on canvas
      Duncan Wylie
      The Source , 2025
      116 x 89 cm
      Oil on canvas
  • Lulama Wolf

    Lulama Wolf (b. 1993) is a visual artist who lives and works in Johannesburg, South Africa. Her process involves smearing, scraping, and employing deep pigment techniques inspired by vernacular architecture. These techniques often incorporate patterns traditionally created by women to decorate traditional African homes.

  • Karla Nixon

    Karla Nixon  embraces tension, transience, and perception: tending to decomposition and reconstruction as critical means through which we operate in the spaces we make and the traces we leave within.Texture becomes a site of intimacy; colour, a catalyst for emotional resonance; and fragments, ways of holding multiplicity without seeking resolution.



    • Karla Nixon Move, 2026 102 x 102 x 2 cm Acrylic paint, paper & glue
      Karla Nixon
      Move, 2026
      102 x 102 x 2 cm
      Acrylic paint, paper & glue
    • Karla Nixon Weightless, 2026 102 x 102 x 102 cm Acrylic paint, paper & glue
      Karla Nixon
      Weightless, 2026
      102 x 102 x 102 cm
      Acrylic paint, paper & glue
    • Karla Nixon Suspend , 2026 102 x 102 x 2 cm Acrylic paint, paper & glue
      Karla Nixon
      Suspend , 2026
      102 x 102 x 2 cm
      Acrylic paint, paper & glue
    • Karla Nixon Resistance, 2026 102 x 102 x 2 cm Acrylic paint, paper & glue
      Karla Nixon
      Resistance, 2026
      102 x 102 x 2 cm
      Acrylic paint, paper & glue
  • Abdus Salaam

    Abdus Salaam works across sculpture, installation, and video to explore spiritual and ecological continuities. In Heartwood Symphonic: Earth and Light (2023) and Open to the light (2025), his pigmented resin alludes to geological and cosmic rhythms. Light is both medium and metaphor-suggestive of renewal, transcendence, and the being's cyclical nature. His work encourages a slower, more embodied form of attention, disclosing the vitality within stillness.

  • Abdus Salaam, Heartwood Symphonic: Earth and Light, 2023

    Abdus Salaam

    Heartwood Symphonic: Earth and Light, 2023
    Cast pigmented UV stabilised epoxy resin sculpture with polyurethane automotive UV clear coat finish
    120x 120 cm
  • Philip Emde

    Philip Emde’s work negotiates a balance between playfulness and critical observation, creating immersive visual environments where imagery, text, and sculptural elements interact. He frequently integrates irony and storytelling into his compositions, crafting multilayered spaces that invite viewers to engage both intellectually and emotionally. 
  • Philip Emde, . Lobster .. Couple ., 2024

    Philip Emde

    . Lobster .. Couple ., 2024
    Acrylic on canvas
    50 x 40 cm
  • Philip Emde, . BLUER PHANT ..., 2026

    Philip Emde

    . BLUER PHANT ..., 2026
    Acrylic on Canvas
    50 x 40 cm
  • Thomas Wachholz

    Thomas Wachholz’s paintings are intricate visual networks of formal traces and personal memories, structured through opaque colour fields, iconic symbols like stars and clouds, and grids outlined with geometric precision. By exploring the hidden dimensions of everyday materials, Wachholz distills the objects that inspire his work into a restricted palette of colours and shapes.

    • Thomas Wachholz Untitled, 2022 40 x 37 x 2.5 cm Acrylic and red phosphorus on canvas
      Thomas Wachholz
      Untitled, 2022
      40 x 37 x 2.5 cm
      Acrylic and red phosphorus on canvas
    • Thomas Wachholz Untitled, 2022 40 x 37 x 2.5 cm Acrylic and red phosphorus on canvas
      Thomas Wachholz
      Untitled, 2022
      40 x 37 x 2.5 cm
      Acrylic and red phosphorus on canvas
  • Thomas Wachholz, Three Dancers, 2025

    Thomas Wachholz

    Three Dancers, 2025
    Bronze
    43 x 66 x 46 cm
  • Thomas Wachholz, Zwei Tanzende, 2024

    Thomas Wachholz

    Zwei Tanzende, 2024
    Bronze
    53 x 24 x 31 cm
  • Trevor Stuurman

    Trevor Stuurman (b. 1992) is an internationally acclaimed, award-winning visual artist, creative director, and media entrepreneur.Blurring the lines between subject and observer, Stuurman’s body of work explores the role of young African artists and the power of digital media in shaping contemporary African identity.
    • Trevor Stuurman Tongoro Beauty 3, 2022 59.4 x 39.6 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 3, 2022
      59.4 x 39.6 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 6, 2022 84.1 x 56.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 6, 2022
      84.1 x 56.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
  • Gopal Dagnogo

    Gopal Dagnogo’s paintings offer several levels of interpretation: a hybrid of aesthetics, mediation painting, and a reconciliation between the human and the sacred. His works, a tribute to the banality of the everyday, question identity, the relative and differences. They include the Sacred as an inner necessity to question human tragedy and our relationship to the world. Memory, consciousness, recollection – the obscure images challenge each other, collide or sometimes isolate themselves.
  • Gopal Dagnogo, Untitled 24, 2022

    Gopal Dagnogo

    Untitled 24, 2022
    Acrylic and pastel on canvas
    130 x 130 cm
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  • About the Artists About the Artists About the Artists About the Artists About the Artists About the Artists About the Artists About the Artists About the Artists

    About the Artists

     

    Abdus Salaam (b. 1989, Cape Town, South Africa) is a self-taught multidisciplinary artist who works across sculpture, painting, film, poetry, and sound. His work is inspired by nature, spirituality, and the search for unity and peace. He has presented solo exhibitions at Abu Dhabi Art and the Medici Foundation and is represented in the Mohammed Afkhami, EKARD, Farham Foundation, and Collezione Paneghini collections. Salaam has completed residencies at the Nirox Foundation in South Africa, the Institute of Public Architecture in New York, and Studio Maretti in Italy.

     

    Lulama Wolf (b. 1993) is a visual artist who lives and works in Johannesburg, South Africa. Her process involves smearing, scraping, and employing deep pigment techniques inspired by vernacular architecture. These techniques often incorporate patterns traditionally created by women to decorate traditional African homes. She was named the finalist of the Emergence Art Prize in 2020, and has presented in notable exhibitions including The Right to Ease, The Breeder Gallery, Athens (2022) and Common Efforts, Eighteen Gallery, Copenhagen (2023), followed by solo exhibitions titled Ayakha: Indlela Yokuxola at THK Gallery, Cape Town (2023) and I’m Not Governed by My Flesh, Affinity Gallery, Lagos (2025).

     

    Duncan Wylie (b. 1975, Harare, Zimbabwe) is a visual artist living and working between London and Paris. He is internationally recognised for his layered expressionist paintings, in which his technical skill, gestural brushwork, and bold colour use stand out. His works unfold through complex narratives and dynamic compositions, constructed from successive transparent layers of oil paint. Evoking a sense of instability, urgency and resilience, Wylie’s practice engages with themes of displacement, belonging and memory, where figuration and abstraction are held in productive tension. Wylie has exhibited at major institutions including the Louvre Abu Dhabi, the Museum of Modern Art in Paris, the Palais de Tokyo, the Museum of Grenoble, Modern Gallery Saarbrücken, the Pinacothèque of Luxembourg, the National Gallery of Zimbabwe, and Zeitz MOCAA in Cape Town.

     

     

    Thomas Wachholz (b. 1984, Cologne, Germany) is a visual artist based in Cologne. His paintings use materials like red phosphorus and geometric shapes to explore how memory and meaning are found in ordinary objects. He often draws inspiration from matchbooks and postcards, reworking them into abstract and symbolic compositions. Wachholz studied at the Kunstakademie Düsseldorf, and his work has been shown at the Bundeskunsthalle, Marciano Art Foundation, and Kölnischer Kunstverein. His work is in collections including the Deji Art Museum (China), Marciano Art Foundation (USA), and the Kilbourn Collection (South Africa).

     

    Karla Nixon (b. 1990) is a visual artist based in Durban, South Africa, whose practice draws primary impetus from direct material exploration, with paper at its core. She constructs images and objects responding to her surrounding environments - urban, domestic, and natural by hand-cutting, tearing, sculpting, and reassembling. Her work is grounded in an ongoing investigation of how colour, texture, and fragmentation operate as a language of presence shaping sensorial and emotional encounters.Her artworks are held in private collections in South Africa, Lebanon, Australia, Spain, and Holland, as well as public collections, including the Durban Art Gallery, the National Art Bank, and the Leridon Collection. Nixon has also been a finalist in both the Sasol and ABSA art awards.

     

    Tshepiso Moropa (b. 1995) is a self-taught collage artist based in Johannesburg, South Africa.Moropa’s work begins in fragments: archival images, memories, folktales, and dreams, which she assembles into hand-crafted collages that feel at once ancient and futuristic, personal and collective. Her practice increasingly extends beyond the flat surface into immersive installations, video art, and sculptural forms such as peep-boxes and dioramas. These intimate and exploratory spaces act as portals into poetic and emotive archives where the past and present are in conversation.Moropa has received significant accolades, including the Out of Africa Award (2022), Contemporary African Photography Prize (2024) and the V&A Parasol Foundation Prize for Women in Photography (2025). She has garnered notable international attention, and has been included in presentations at Paris Photo, with Michael Hoppen Gallery, in From the Ground Up, Galleri Image, Denmark; and at 1-54 London with THK Gallery.

     

    Trevor Stuurman (b. 1992) is an internationally acclaimed, award-winning visual artist, creative director, and media entrepreneur.Blurring the lines between subject and observer, Stuurman’s body of work explores the role of young African artists and the power of digital media in shaping contemporary African identity.Stuurman has curated immersive and impactful installations, including Teleporting into Africa and This Is Home for the Absolut One Source Live Creative Festivals, A Place Called Home with Botho Project Space in Johannesburg, and 'This Is Home' at the Motsepe Foundation’s Mandela 100 Summit. His work has also been exhibited internationally with THK Gallery at the Cape Town Art Fair, Enter Art Fair in Denmark, and 1-54 Contemporary African Art Fairs in London and New York.

     

    Marco Zumbé (b. 1975) is a visual artist based in Cologne, Germany. He studied Illustration and Painting at the University of Applied Sciences Hamburg under Prof. Rüdiger Stoye from 2000 to 2008. His practice spans painting, installation, and ceramic-based object- making, grounded in a nuanced interrogation of abstraction, perception, and memory. His work has been exhibited widely in Germany and abroad, including solo presentations in New York, Cologne, and Marbella. He has received numerous studio grants, including from the Lepsien Art Foundation, Düsseldorf, ArtAcademy St. Moritz, and ArtistAlliance in New York.

     

    Gopal Dagnogo (b. 1973, Abidjan, Ivory Coast) is a French based contemporary painter. Beyond the obvious cultural syncretism, Dagnogo’s paintings offer several levels of interpretation: a hybrid of aesthetics, mediation painting, and a reconciliation between the human and the sacred. His works, a tribute to the banality of the everyday, question identity, the relative and differences. They include the Sacred as an inner necessity to question human tragedy and our relationship to the world. Memory, consciousness, recollection – the obscure images challenge each other, collide or sometimes isolate themselves.Dagnogo has exhibited extensively worldwide. His most recent international exhibitions include solo presentation at Gallery OH in Dakar (2020), and group presentations at H- Gallery, Paris (2020); Galerie Véronique, Paris (2020); and the Abu Dhabi Art Fair (2020). Additionally, he participated in the the 11th and 12th Dak’Art Biennale, Dakar, Senegal (2014/2016); the first Biennale of Kampala, Uganda (2014); and the 5th Maiden Tower International Festival, Baku, Azerbaidjan (2014).