• 1-54 LONDON 

    15 - 18 October 2026

    Booth W14

     

     

  • Duncan Wylie

    Duncan Wylie (b. 1975, Harare, Zimbabwe) is a visual artist living and working between London and Paris. He is internationally recognised for his layered expressionist paintings, in which his technical skill, gestural brushwork, and bold colour use stand out. His works unfold through complex narratives and dynamic compositions, constructed from successive transparent layers of oil paint. 
    • Duncan Wylie The Cactus and the Tsunami, Triptych, 2026 41 x 33 cm (each) 41 x 99 cm (triptych) Oil on Canvas
      Duncan Wylie
      The Cactus and the Tsunami, Triptych, 2026
      41 x 33 cm (each)
      41 x 99 cm (triptych)
      Oil on Canvas
    • Duncan Wylie The Reservoir, 2025 70 x 63 cm Oil on canvas
      Duncan Wylie
      The Reservoir, 2025
      70 x 63 cm
      Oil on canvas
  • Duncan Wylie, Elageuse, 2026

    Duncan Wylie

    Elageuse, 2026
    Oil on copper
    60 x 50 cm
  • Miranda Forrester

    Miranda Forrester (b. 1997) is a British painter whose practice explores intimacy, identity, embodiment, and the queer Black female gaze. Working primarily through painting, she reimagines the language of life drawing and art history through a queer Black feminist and desiring lens, creating spaces where Black women and non-binary people are represented as expansive, self-possessed subjects.

  • Miranda Forrester, Three Joys, 2025

    Miranda Forrester

    Three Joys, 2025
    Oil on canvas
    210 x 160.5 cm
  • ABDUS SALAAM

    Abdus Salaam (b. 1989)  works across sculpture, installation, and video to explore spiritual and ecological continuities. In Heartwood Symphonic: Earth and Light (2023) and Open to the light (2025), his pigmented resin alludes to geological and cosmic rhythms. Light is both medium and metaphor-suggestive of renewal, transcendence, and the being's cyclical nature. His work encourages a slower, more embodied form of attention, disclosing the vitality within stillness.

    • Abdus Salaam Between I (Barzakh), 2026 Dyptich Dimensions: 60 x 50 cm Each Panel: 30 x 50 cm oil paint, clear acrylic paint, and primer on cotton canvas
      Abdus Salaam
      Between I (Barzakh), 2026
      Dyptich Dimensions: 60 x 50 cm
      Each Panel: 30 x 50 cm
      oil paint, clear acrylic paint, and primer on cotton canvas
    • Abdus Salaam Between II (Barzakh), 2026 Dyptich Dimensions: 60 x 50 cm Each Panel: 30 x 50 cm oil paint, clear acrylic paint, and primer on cotton canvas
      Abdus Salaam
      Between II (Barzakh), 2026
      Dyptich Dimensions: 60 x 50 cm
      Each Panel: 30 x 50 cm
      oil paint, clear acrylic paint, and primer on cotton canvas
    • Abdus Salaam Between III (Barzakh), 2025 Dyptich Dimensions: 60 x 50 cm Each Panel: 30 x 50 cm oil paint, clear acrylic paint, and primer on cotton canvas
      Abdus Salaam
      Between III (Barzakh), 2025
      Dyptich Dimensions: 60 x 50 cm
      Each Panel: 30 x 50 cm
      oil paint, clear acrylic paint, and primer on cotton canvas
  • Abdus Salaam, Between IV & V (Barzakh), 2026

    Abdus Salaam

    Between IV & V (Barzakh), 2026
    oil paint, clear acrylic paint, and primer on cotton canvas
    Dyptich Dimensions: 105 x 65 cm
    Each Panel: 50 x 65 cm
  • Tshepiso Moropa

    Tshepiso Moropa (b. 1995) is a self-taught collage artist based in Johannesburg, South Africa. With an academic background in Psychology, Linguistics, and Research, her artistic practice engages deeply with African historical archives and oral histories.Moropa’s work begins in fragments: archival images, memories, folktales, and dreams, which she assembles into hand-crafted collages that feel at once ancient and futuristic, personal and collective. 

  • Tshepiso Moropa, The Magician, 2026

    Tshepiso Moropa

    The Magician, 2026
    Collage with Hahnemühle Photo Rag
    59.4 x 84.1 cm
    Edition of 3 plus 1 artist's proof
  • Tshepiso Moropa, The Star Lasso, 2026

    Tshepiso Moropa

    The Star Lasso, 2026
    Digital Collage on Hahnemühle Photo Rag
    45 x 45 cm
    Edition of 5 plus 1 artist's proof
    • Tshepiso Moropa 2, 2025 40 x 40 cm Collage with Hahnemühle Photo Rag Edition of 3 plus 1 artist's proof
      Tshepiso Moropa
      2, 2025
      40 x 40 cm
      Collage with Hahnemühle Photo Rag
      Edition of 3 plus 1 artist's proof
    • Tshepiso Moropa The Promise, 2023 42 x 29,7 cm Digital Collage on Hahnemühle Photo Rag Edition of 10 plus 2 artist's proofs
      Tshepiso Moropa
      The Promise, 2023
      42 x 29,7 cm
      Digital Collage on Hahnemühle Photo Rag
      Edition of 10 plus 2 artist's proofs
    • Tshepiso Moropa The Ride Home, 2024 40 x 40 cm Digital Collage on Hahnemühle Photo Rag Edition of 5 plus 1 artist's proof
      Tshepiso Moropa
      The Ride Home, 2024
      40 x 40 cm
      Digital Collage on Hahnemühle Photo Rag
      Edition of 5 plus 1 artist's proof
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  • About the Artists About the Artists About the Artists About the Artists

    About the Artists

     

    Abdus Salaam (b. 1989, Cape Town, South Africa) is a self-taught multidisciplinary artist who works across sculpture, painting, film, poetry, and sound. His work is inspired by nature, spirituality, and the search for unity and peace. He has presented solo exhibitions at Abu Dhabi Art and the Medici Foundation and is represented in the Mohammed Afkhami, EKARD, Farham Foundation, and Collezione Paneghini collections. Salaam has completed residencies at the Nirox Foundation in South Africa, the Institute of Public Architecture in New York, and Studio Maretti in Italy. Salaam has presented with THK Gallery at Art Cologne, Abu Dhabi Art, Art Düsseldorf and Enter Art Fair. He is is currently working on a major solo exhibition, Antecedence, which will be unveiled in February 2027.

     

    Duncan Wylie (b. 1975, Harare, Zimbabwe) is a visual artist living and working between London and Paris. He is internationally recognised for his layered expressionist paintings, in which his technical skill, gestural brushwork, and bold colour use stand out. His works unfold through complex narratives and dynamic compositions, constructed from successive transparent layers of oil paint. Evoking a sense of instability, urgency and resilience, Wylie’s practice engages with themes of displacement, belonging and memory, where figuration and abstraction are held in productive tension. Wylie has exhibited at major institutions including the Louvre Abu Dhabi, the Museum of Modern Art in Paris, the Palais de Tokyo, the Museum of Grenoble, Modern Gallery Saarbrücken, the Pinacothèque of Luxembourg, the National Gallery of Zimbabwe, and Zeitz MOCAA in Cape Town.

     

     

    Tshepiso Moropa (b. 1995) is a self-taught collage artist based in Johannesburg, South Africa.Moropa’s work begins in fragments: archival images, memories, folktales, and dreams, which she assembles into hand-crafted collages that feel at once ancient and futuristic, personal and collective. Her practice increasingly extends beyond the flat surface into immersive installations, video art, and sculptural forms such as peep-boxes and dioramas. These intimate and exploratory spaces act as portals into poetic and emotive archives where the past and present are in conversation.Moropa has received significant accolades, including the Out of Africa Award (2022), Contemporary African Photography Prize (2024) and the V&A Parasol Foundation Prize for Women in Photography (2025). She has garnered notable international attention, and has been included in presentations at Paris Photo, with Michael Hoppen Gallery, in From the Ground Up, Galleri Image, Denmark; and at 1-54 London with THK Gallery. In 2026, her work was featured in A Kind of Paradise at Museum Rietberg in Zurich, Switzerland, on view until 6 September, and her CAP Prize–winning works were presented at the Biel/Bienne Festival of Photography in Switzerland. Looking ahead, Moropa will present her work at the 15th edition of the Bamako Encounters African Biennale of Photography, taking place from 26 November 2026 to 26 January 2027.

     

    Miranda Forrester (b. 1997, London, UK) is a British painter whose practice explores intimacy, identity, embodiment, and the queer Black female gaze. Working primarily through painting, she reimagines the traditions of life drawing and art history through a queer Black feminist perspective, centring Black women and non-binary people as self-possessed subjects. Her work has been exhibited internationally at institutions and galleries including the Walker Art Gallery, Liverpool, the Venice Biennale, Victoria Miro Gallery, London, Saatchi Gallery, London, Mariane Ibrahim Gallery, Chicago, and Foundry Seoul. Her work is held in the Government Art Collection, Arts Council Collection, Soho House Collection, and the Beth Rudin DeWoody Collection.