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Johno Mellish | The Light that Found You | Paris Photo 2021

Past viewing_room
9 - 14 November 2021
  • JOHNO MELLISH | PARIS PHOTO 2021

    The Light that Found You
  • THK Gallery announces its first participation in Paris Photo with a Solo presentation by Johno Mellish, The Light that Found You.  


    Paris Photo will be returning to the Grand Palais Ephémère from 11 - 14 November 2021. THK Gallery is one of 15 projects selected by curator Shoair Mavlian for Curiosa, the section of the fair dedicated to emerging art.  


    Says Mellish, ‘My pictures of people form a continuous body of work and are a result of my thinking about  the relationship between the material and the emotional in the place that I find myself in.’ 


    THK Gallery presents a selection of work from the past five years on booth SC3. Read the full press release with exhibiton text by Sean O'Toole here. 

    • Johno Mellish Static, 2021 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Static, 2021
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
  • “My pictures depict people in various states of betweenness or transition. It's this in-between state that is interesting to me. Between living and dying, disbelief and belief, my photographs depict people going about their lives seeking, yearning and sometimes finding. 

     

    I have used light – never static and always changing – and the lightning strike as a way to think about this betweenness in my photographs. Lightning as a metaphor both for what I’m trying to do with my work and as a metaphor for the type of photography that I engage with. Like a lightning bolt, a camera's flash illuminates for a second and a camera records a fleeting moment in time. The metaphor extends into the subject matter of my work – fleeting, emotionally charged moments." 

    • Johno Mellish Garance Reading the News Diptych, 2019 20 x 16 cm | 40 x 32 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Garance Reading the News Diptych, 2019
      20 x 16 cm | 40 x 32 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish A Pregnant Teenager, 2020 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      A Pregnant Teenager, 2020
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish Lightning, 2021 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Lightning, 2021
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
  • "A photograph of a girl wearing a school dress, grass green, resting on a scorched field. The night before I had photographed lightning bolts striking across the same field. Two days later I read in a local newspaper that concerned residents blamed people for burning down the field. She looks away, towards the same horizon, her body suggesting indifference or resignation to the earth she rests on. 

     

    For the fraction of a second the lightning strikes, the order of time is inverted, brightly: night looks like day. The image seized from the same world by the camera is of a split-seconds’ operation. Charged and static, telling and mute." 

    • Jme 02
    • Img 9480
    • Jme 03
  • "Consider stasis. Static has two meanings – it speak both of an imbalance of electricity on the surface of an object while also pointing to motionlessness. An idea is static until it generates action, yet meaning, after all, is not fixed, and is laid bare to interpretation, manipulation and coercion. To me, photography is the perfect medium to exploit the essential ambiguity of being in this world.

     

    For the most part, I take pictures because I love working with people. People and images of people in transition, on their way, people going about their lives. I value the access the camera grants me to places and spaces that I wouldn't necessarily venture otherwise.  I am interested in the possibility with the camera to transform life into something worth looking at, or maybe even something with meaning.”

    • Johno Mellish Evidence of a Disturbance, 2016 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Evidence of a Disturbance, 2016
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish A Baby and a Chicken, 2021 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      A Baby and a Chicken, 2021
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish Afterwards, 2021 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Afterwards, 2021
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Img 9482
    • Johno Mellish A Snake Bite, 2019 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      A Snake Bite, 2019
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish Garage Still Life, 2019 16 x 20 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Garage Still Life, 2019
      16 x 20 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish Laughter, 2020 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Laughter, 2020
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
  • “O die dans van ons Suster!

    Eers oor die bergtop loer sy skelm,

    en haar oge is skaam;

    en sy lag saggies.

    En van ver af wink sy met die een hand;

    haar armbande blink en haar krale skitter;

    saggies roep sy.

    Sy vertel die winde van die dans

    en sy nooi hulle uit, want die werf is wyd en die bruilof groot…“

     

    Die dans van die reën - Eugène N. Marais

     

    “Oh the dance of our Sister! 

    Only over the top of the mountain, she sneaks, 

    and her eyes are ashamed; 

    and she laughs softly. 

    And from afar she waves with one hand;

     her bracelets shone and her beads sparkled; 

    she called softly. 

    She tells the winds of the dances 

    she invites them because the yard is wide and the wedding big…”

     

    The rains dance - Eugène N. Marais

    • Johno Mellish The Day that David Goldblatt Died, Dias Beach, Mossel Bay, 2018 Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      The Day that David Goldblatt Died, Dias Beach, Mossel Bay, 2018
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish Butterfly Collectors, 2019 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Butterfly Collectors, 2019
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish A Family of strangers, 2019 Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      A Family of strangers, 2019
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Img 9483
    • Johno Mellish Embrace, 2021 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Embrace, 2021
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish Evol, 2021 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Evol, 2021
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish A Minute With The Devil and God, De Goedehoop, 2019 125 x 100 cm | 80 x 64 cm | 40 x 32 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      A Minute With The Devil and God, De Goedehoop, 2019
      125 x 100 cm | 80 x 64 cm | 40 x 32 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish Patience, 2020 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Patience, 2020
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
  • PRESS

    ZEITmagazin |A feature on Johno Mellish. Read the full article here.

     

    Metal Magazine | Connecting the dots: interview with Johno Mellish. Read the full interview here.

     

    AKAA 2019 | Le Journal Des Recontres: article on Johno Mellish written by Ashraf Jamal. Read the full piece here.

     

    Art Times | April 2020 Edition: article by Ashraf Jamal highlighting the work of Johno Mellish. Read the full piece here.

     

    Art Times | February 2020 Edition: article by Sven Christian focusing on the THK Gallery show Different Angles, featuring Johno Mellish. Read the full piece here.

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