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Synaptic

Past viewing_room
8 December 2022 - 14 January 2023
  • Synaptic

    David Brits | Driaan Claassen | Nonzuzo Gxekwa | Abdus Salaam | Jake Michael Singer | Trevor Stuurman 

  • Synaptic is a group exhibition focused on the mysterious nature of consciousness. It looks at the feedback loop between our physical and mental realities, and the idea that you can effect change in one by altering the other. 

     

  • Abdus Salaam, Here (now) VII, 2022
    Artworks

    Abdus Salaam

    Here (now) VII, 2022

    The void is a reoccurring motif in Abdus Salaam’s work. Using emptiness to meditate on the infinite consciousness, his work expresses a stillness and a profound beauty. Referencing Albers’s iconic square paintings, and with a nod to Malevich, autodidact Salaam’s draws on his encyclopaedic knowledge and an endless capacity for invention in his practice. Inspired by the spiritual, and unrestrained by the thought structures of institutional study, Salaam draws a striking originality of thought.

    • Abdus Salaam The Space Between , 2022 242 x 135 cm Acrylic ink on canvas
      Abdus Salaam
      The Space Between , 2022
      242 x 135 cm
      Acrylic ink on canvas
    • Abdus Salaam Between swells II , 2022 130 x 130 cm Acrylic ink on canvas
      Abdus Salaam
      Between swells II , 2022
      130 x 130 cm
      Acrylic ink on canvas
  • Consciousness manifests in the brain through billions of connections between individual neurons. These infinitely complex connections enable lightning-fast communication through neutral pathways, creating our thoughts, movements, and through repetition, our habits and character. 

     

    While we may think of consciousness as formless, the architecture of the brain has a definite structure, and the language of the brain is one of complex and instantaneous patterns of connection.

     

    Ingrained thoughts and repetitive behaviour form stronger neural pathways, in turn forming habits, while new connections and experiences lead to new patterns, thoughts and ideas.

  • Driaan Claassen, My first time , 2022
    Artworks

    Driaan Claassen

    My first time , 2022

    Driaan Claassen is an autodidact, whose process-driven practice seeks to materialise the subconscious. “Through his diverse geometric, organic and crystalline sculptures, he seeks to map and record the workings of the mind.” Visiting his studio is a fascinating peek behind the veil. Like an alchemist, he is immersed in material study. A particular interesting process lies behind his copper vessels, which he grows in a copper colloid by running an electrical current through it. The strength of the current determines the shape of the copper dendrites, from globular to spiky. While the shape and the colour of these vessels recall ancient forms, or submerged treasures, their creation speaks to the future.

    • Driaan Claassen Be honest., 2021 60cm x 45cm x 45cm 22.5Kg Bronze / Marble: Bianco Carrara Edition of 8
      Driaan Claassen
      Be honest., 2021
      60cm x 45cm x 45cm
      22.5Kg
      Bronze / Marble: Bianco Carrara
      Edition of 8
    • Driaan Claassen Joy is found when looking inside, 2022 34cm Ø 2.5 kg Wood: Kiaat Edition of 5
      Driaan Claassen
      Joy is found when looking inside, 2022
      34cm Ø
      2.5 kg
      Wood: Kiaat
      Edition of 5
    • Driaan Claassen Chance Encounter, 2022 1. 6 Ø x 10.5cm 2. 9 Ø x 14cm Copper
      Driaan Claassen
      Chance Encounter, 2022
      1. 6 Ø x 10.5cm
      2. 9 Ø x 14cm
      Copper
    • Driaan Claassen Was the love real?, 2022 32cm x 43cm x 36cm 7.5Kg Wood: Kiaat Edition of 4
      Driaan Claassen
      Was the love real?, 2022
      32cm x 43cm x 36cm
      7.5Kg
      Wood: Kiaat
      Edition of 4
  • This communication network connects our inner world to the outer world in a continuous feedback loop. What we see and experience affects our thoughts, and our thoughts influence how we see and experience the world. The push and pull of consciousness.

     

    There is, however, no physical connection between nerve cells. Signals jump from one nerve cell to another in an area called the synaptic gap: a junction, a threshold.

     

    How this happens is a mystery, and yet this mystery contains a poetry: the transmission from one nerve to another occurs in a void.

    • Driaan Claassen What if you are wrong?, 2021 9cm x 10cm x 35cm 3.5Kg Bronze Edition of 12
      Driaan Claassen
      What if you are wrong?, 2021
      9cm x 10cm x 35cm
      3.5Kg
      Bronze
      Edition of 12
    • Driaan Claassen What if you're right?, 2022 12 x 11.5 x 19 cm Bronze Edition of 12
      Driaan Claassen
      What if you're right?, 2022
      12 x 11.5 x 19 cm
      Bronze
      Edition of 12
    • Driaan Claassen Just a little more., 2021 6 x 26 x 11cm Bronze Edition of 12
      Driaan Claassen
      Just a little more., 2021
      6 x 26 x 11cm
      Bronze
      Edition of 12
    • Driaan Claassen My first Kiss, 2021 30 x 17cmØ Copper
      Driaan Claassen
      My first Kiss, 2021
      30 x 17cmØ
      Copper
    • Driaan Claassen My first steps., 2022 46 x 22cm Ø Copper
      Driaan Claassen
      My first steps., 2022
      46 x 22cm Ø
      Copper
    • Driaan Claassen Speaking up, 2022 42 x 24cm Ø Copper
      Driaan Claassen
      Speaking up, 2022
      42 x 24cm Ø
      Copper
    • Driaan Claassen Resting in the forest., 2022 22 x 25 x 16 cm Ceramic & Copper
      Driaan Claassen
      Resting in the forest., 2022
      22 x 25 x 16 cm
      Ceramic & Copper
    • Driaan Claassen Where do I go from here? 80 x 70 x 20cm Wood
      Driaan Claassen
      Where do I go from here?
      80 x 70 x 20cm
      Wood
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  • Trevor Stuurman, Tongoro Beauty 6, 2022
    Artworks

    Trevor Stuurman

    Tongoro Beauty 6, 2022

    Trevor Stuurman is a multidisciplinary artist that spans worlds. This series of monochromatic portraits are a meditation on the past and the future, rich on symbolism and personal mythologies. His works resonates internationally while being rooted in Africa, forging and celebrating a new imaginary.

    • Trevor Stuurman Tongoro Beauty 5, 2022 56.1 x 84.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 5, 2022
      56.1 x 84.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 4, 2022 84.1 x 56.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 4, 2022
      84.1 x 56.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 2, 2022 84.1 x 56.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 2, 2022
      84.1 x 56.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 3, 2022 59.4 x 39.6 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 3, 2022
      59.4 x 39.6 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 1, 2022 84.1 x 56.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 1, 2022
      84.1 x 56.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 7, 2022 84.1 x 56.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 7, 2022
      84.1 x 56.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
  • Nonzuzo Gxekwa, Untitled VI, 2020
    Artworks

    Nonzuzo Gxekwa

    Untitled VI, 2020

    Nonzuzo Gxekwa’s portraits have been described as having a ‘loving optic’. Her practice is focused on people, both street portraiture and tender depictions of friends and acquaintances. She gravitates towards quiet moments, liminal states, and moments of transition.

    • Nonzuzo Gxekwa Life in Monochrome, 2019 59.4 x 42 cm Archival inkjet print on enhanced matte paper Edition of 8 plus 2 artist's proofs
      Nonzuzo Gxekwa
      Life in Monochrome, 2019
      59.4 x 42 cm
      Archival inkjet print on enhanced matte paper
      Edition of 8 plus 2 artist's proofs
    • Nonzuzo Gxekwa Indoni Yamanzi, 2020 59.4 x 42 cm Archival inkjet print on enhanced matte paper Edition of 8 plus 2 artist's proofs
      Nonzuzo Gxekwa
      Indoni Yamanzi, 2020
      59.4 x 42 cm
      Archival inkjet print on enhanced matte paper
      Edition of 8 plus 2 artist's proofs
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  • David Brits, The Hierarchy of Essential Disclosures (Ouroboros 2.2.1), 2019
    Artworks

    David Brits

    The Hierarchy of Essential Disclosures (Ouroboros 2.2.1), 2019

    Ouroboros takes it’s name from an ancient symbol depicting a serpent or dragon eating its own tail, expressing the unity of all things, material and spiritual, which perpetually change form in an eternal cycle of destruction and re-creation.

  • Says Brits “the sculpture explores pattern as the basis for understanding, and seeing pattern is something which happens in the mind. You can see things with your mind that you cannot see with your eyes alone. Constantly recreating itself, the sculpture goes to the essence of what it means to see and perceive. It makes us aware of the great patterns of which we are part of.”

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  • About David Brits

    About David Brits

    David Brits was born in 1987 in Cape Town and lives there. He graduated from the Michaelis School of Fine Art (Painting) at the University of Cape Town in 2010.

     

    Brits has, over the past four years, devoted his practice to formal investgations in public-scale sculpture. Equally energised by material exploration and archival investigation, Brits’ practice also spans installation, print-making, drawing, and film.

     

    Recent major public sculpture commissions include the Desmond Tutu HIV Foundation, The Speir Arts Trust and the Iziko South African National Gallery. He is the winner of the Rupert Art Foundation’s inaugural Social Impact Arts Prize.

     

    Brits’ recent solo exhibitions include Time is a Flat Circle, curated by Camila Maissune at MovArt Gallery, Lisbon, as well as inclusions in the Matereality group show at the Iziko South African National Gallery, curated by Andrea Lewis, and Synaptic at THK Gallery, Cape Town.

     

    In 2014 Brits was awarded a residency at the St. Moritz Art Academy, Switzerland, under the mentorship of Marcel van Eden and Daniele Buetti. Additional group shows include Words curated by Willem Boshoff at the Nirox Sculpture Park, Johannesburg, Nevermind the M*ss at A SPACE, Helsinki, Kindergeburtstag, held at the Cité Internationale des Arts, Paris. His work has been featured in the academic journal Graduate Research and Reviews in the History of Art and Visual Culture (2015) and has been named a “young artist to watch” by the South African Art Times.

     

    Brits made his curatorial debut with Not My War, an exhibition held at the Michaelis Galleries, UCT. This acclaimed show brought together works by significant South African artists that have reflected on their country’s involvement in border wars in Northern Namibia and Southern Angola during the 1960ies to 1980ies.

     

    Brits’ work is housed in public and private collections in both South Africa and abroad, including the Desmond Tutu HIV Foundation Collection, the SunFair Collection in New York, and the  Fondation Gandur pour l'Art Collection in Geneva. He is a recipient of the Golden Key Society Award for Visual Art, the Irma Stern Scholarship and the Barbara Fairhead Prize.

  • Driaan Claassen, My first time , 2022
    Artworks

    Driaan Claassen

    My first time , 2022

    Born in Johannesburg in 1991, sculptor Driaan Claassen first studied 3D animation before apprenticing with Otto du Plessis, artist and founder of Bronze Age Foundry. Claassen is currently based in Cape Town, where he opened his own design and fine art studio, Reticence, in 2015.

    Claassen works primarily in bronze, wood, and wire. Inspired by technology from a young age, he elevates the materiality of his sculptural mediums by merging cutting-edge machinery, traditional craftsmanship, and deep introspection.

    For Claassen, manipulating the physical world has psychological implications. Through the abstracted forms his sculptures take whether solid or fractal, geometric or organic he reflects on the structure of the human mind and thought. He explores the intersection of our consciousness with the outside world, where light and dark meet, positive and negative space, the defined and amorphous, order and chaos. Claassen has created a visual language that juxtaposes shape, colour, texture, and pattern to offer insight into his search for self-knowledge. Claassen’s work has been exhibited locally and internationally, including at Design Miami, Design Miami/Basel, GUILD Design Fair, PAD London, and Intersect Chicago.

     

  • Nonzuzo Gxekwa, Untitled VI, 2020
    Artworks

    About Nonzuzo Gxekwa

    Untitled VI, 2020

    Nonzuzo Gxekwa (b. 1981) is a Johannesburg based photographer. Her approach to photography favours the everyday over the spectacular; sharing intimate moments by focusing the camera on what is around her as well as on herself. Whether photographing in the street or in the studio, her work explores the human condition in subtle and beautiful ways. Her optic is loving. It’s not simply that she chooses to focus on moments of self love—the way people occupy themselves—but that in the taking, her subjects are never wholly circumscribed. There is always space to manoeuvre. Collaboration is a crucial part of her practice, and she regularly works with photographers and other creatives in Johannesburg and further afield.

     

    Nonzuzo’s work was included in Presence: Five Contemporary African Photographers at the Photographer’s Gallery in London from July – August 2021. In November 2021 Nonzuzo was selected for Self-Addressed, organised by Kehinde Wiley and Jeffrey Deitch in Los Angeles. For this landmark exhibition, Wiley invited a selection of contemporary African artists to produce a self-portrait. Together these portraits presented a new exploration of identity, perception, and self-regard within the global stage. She was also accepted to complete a year long residency at the prestigious Jan van Eyck Academie.

     

    In 2022 her collaborative work, The Mask Project formed part of the exhibition Hope from Chaos: Pandemic Reflections at the ArtScience Museum at Marina Bay Sands in Singapore.

  • Abdus Salaam, Here (now) VII, 2022
    Artworks

    About Abdus Salaam

    Here (now) VII, 2022

    Abdus Salaam is a self-taught multi-disciplinary artist from Cape Town, South Africa. Rooted in poetry, Salaam's considered use of light and dark reveals a sensitivity to three-dimensional spatial expression, and the metaphysical connotations inherent in materials.

     

    Contemporary in his theosophical minimalism, he is focused on the essential principles of existence, both seen and unseen. Presenting a bridge between the natural and spiritual worlds, his work is both a personal journey and a meditation on the nature of existence. Moving freely between mediums – from   8 x 10 bellows photography, 'light painting', video, augmented reality, music and painting – he creates poetic worlds, from the intimate to large scale installations.

  • Jake Michael Singer, Metaphorical Murmur, 2022
    Artworks

    About Jake Michael Singer

    Metaphorical Murmur, 2022

    Jake Michael Singer (b. 1991) experiments with a broad range of disciplines from photography to works on paper and commands an exquisite mastery of sculpture. Drawing inspiration from the emergent behaviour of flocking birds, where the individual is subsumed in the whole; and meditating on the timeless monumentality of the Winged Victory of Samothrace, his Murmurations series speaks to our time. Meticulously constructed, using up to sixteen thousand meters of marine grade stainless steel for a single sculpture, the Murmurations series establishes his position as one of the leading young sculptors from Africa. 

     

    Singer has held solo shows in Africa and America and been part of over 60 group shows since graduating in 2013. He was recognised by the Eduardo Villa Foundation Grant both in 2016 and 2017, the youngest sculptor yet awarded this. His work features in private collections in South Africa, Germany, Greece, Canada, Turkey, the United Kingdom, and the United States.

     

  • Trevor Stuurman, Tongoro Beauty 2, 2022
    Artworks

    About Trevor Stuurman

    Tongoro Beauty 2, 2022

    Kimberley born,  Stuurman, 28, is an award winning contemporary multimedia visual artist, AFDA graduate with a BA(hons) motion picture & live performance who sees the world through his creative lens and finds beauty in that which reminds him of home - a place that is imbued with colour, love and belonging that reflects Africa. Ever since he burst onto the creative scene scooping the Elle style reporter title in 2012, Trevor has easily cemented himself as a creative force to be reckoned with.

     

    A seasoned explorer, he cites travel as his core inspiration. “the more I leave home, the more I realise the power and currency that home has. And I think that in turn makes me a better storyteller because I am able to find pieces of home wherever I go and then create tangible products”. This essence of belonging inspired him to host his first solo exhibition entitled “home”, a love letter to the Himba women of Namibia that enjoyed a successful run at the hazard gallery in Johannesburg. Subsequently, Trevor has exhibited in a group exhibition at Digitalia; the art and economy of ideas in San Francisco at the museum of the African diaspora. Trevor has curated his own installations; “teleporting into Africa” and “this is home” for the Absolut one source live creative festivals and “this is home” at the Motsepe foundation’s Mandela 100 summit.

     

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