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Cape Town Art Fair main booth

Past viewing_room
15 - 15 February 2023
  • Investec Cape Town art fair

    Dominique cheminais | driaan claassen | nonzuzo gxekwa | mmangoliso nzuza | abdus salaam | jake michael singer | guy simpson | trevor stuurman | thomas wachholz | lulama wolf

    • Mmangaliso Nzuza Chasing the Past, 2023 120 x 4 x 100 cm Oil on Canvas
      Mmangaliso Nzuza
      Chasing the Past, 2023
      120 x 4 x 100 cm
      Oil on Canvas
    • Mmangaliso Nzuza At Ease , 2023 120 x 4 x 100 cm Oil on Canvas
      Mmangaliso Nzuza
      At Ease , 2023
      120 x 4 x 100 cm
      Oil on Canvas
    • Mmangaliso Nzuza Head in the Clouds, 2023 120 x 4 x 100 cm Oil on Canvas
      Mmangaliso Nzuza
      Head in the Clouds, 2023
      120 x 4 x 100 cm
      Oil on Canvas
    • Mmangaliso Nzuza Nightingales in the Wind, 2023 150 x 5 x 150cm Oil on Canvas
      Mmangaliso Nzuza
      Nightingales in the Wind, 2023
      150 x 5 x 150cm
      Oil on Canvas
    • Mmangaliso Nzuza Spoken Chapters, 2022 153cm x 153cm Oil on Canvas
      Mmangaliso Nzuza
      Spoken Chapters, 2022
      153cm x 153cm
      Oil on Canvas
    • Mmangaliso Nzuza The Bystanders, 2023 150 x 5 x 150 cm Oil on Canvas
      Mmangaliso Nzuza
      The Bystanders, 2023
      150 x 5 x 150 cm
      Oil on Canvas
    • Mmangaliso Nzuza The Central Cure, 2022 123 x 103 cm Oil on Canvas
      Mmangaliso Nzuza
      The Central Cure, 2022
      123 x 103 cm
      Oil on Canvas
    • Mmangaliso Nzuza Tread Carefully , 2023 120 x 4 x 100 cm Oil on Canvas
      Mmangaliso Nzuza
      Tread Carefully , 2023
      120 x 4 x 100 cm
      Oil on Canvas
    • Mmangaliso Nzuza Behind Closed Doors, 2022 123 x 103 cm Oil on Canvas
      Mmangaliso Nzuza
      Behind Closed Doors, 2022
      123 x 103 cm
      Oil on Canvas
    • Mmangaliso Nzuza Comfort, 2022 120 x 120 cm Oil on Canvas
      Mmangaliso Nzuza
      Comfort, 2022
      120 x 120 cm
      Oil on Canvas
    • Dominique Cheminais Milena in the Mirror , 2022 174 x 130cm Oil on canvas
      Dominique Cheminais
      Milena in the Mirror , 2022
      174 x 130cm
      Oil on canvas
    • Dominique Cheminais Cyril, 2023 50 x 50 Oil on canvas
      Dominique Cheminais
      Cyril, 2023
      50 x 50
      Oil on canvas
    • Dominique Cheminais The Demon Escapes “study”, 2023 60 x 40 Oil on canvas
      Dominique Cheminais
      The Demon Escapes “study”, 2023
      60 x 40
      Oil on canvas
    • Dominique Cheminais The Love, 2023 54 x 50 Oil on canvas
      Dominique Cheminais
      The Love, 2023
      54 x 50
      Oil on canvas
    • Dominique Cheminais The Demon Escapes, 2022 158 x 143 cm Oil on canvas
      Dominique Cheminais
      The Demon Escapes, 2022
      158 x 143 cm
      Oil on canvas
    • Dominique Cheminais Felice Splits in Two, 2023 90 x 70 Oil on canvas
      Dominique Cheminais
      Felice Splits in Two, 2023
      90 x 70
      Oil on canvas
    • Dominique Cheminais Felice in a Raincoat, 2023 100 x 40 Oil on canvas
      Dominique Cheminais
      Felice in a Raincoat, 2023
      100 x 40
      Oil on canvas
    • Dominique Cheminais The Balcony, 2023 120 x 90 Oil on canvas
      Dominique Cheminais
      The Balcony, 2023
      120 x 90
      Oil on canvas
    • Dominique Cheminais Felice Unmasked, 2023 60 x 40 Oil on canvas
      Dominique Cheminais
      Felice Unmasked, 2023
      60 x 40
      Oil on canvas
    • Dominique Cheminais Felice in the Attic Room, 2023 174 x 130 Oil on canvas
      Dominique Cheminais
      Felice in the Attic Room, 2023
      174 x 130
      Oil on canvas
    • Dominique Cheminais Opal Becomes Ottoline, 2023 80 x 60 Oil on canvas
      Dominique Cheminais
      Opal Becomes Ottoline, 2023
      80 x 60
      Oil on canvas
    • Dominique Cheminais Lester Alone, 2022 120 x 90 cm Oil on canvas
      Dominique Cheminais
      Lester Alone, 2022
      120 x 90 cm
      Oil on canvas
    • Guy Simpson The Entrance Hall, 2023 83 x 60 cm Wall paint, acrylic and graphite on canvas
      Guy Simpson
      The Entrance Hall, 2023
      83 x 60 cm
      Wall paint, acrylic and graphite on canvas
    • Guy Simpson The Prayer Room, 2023 83 x 60 cm Wall paint, acrylic and graphite on canvas
      Guy Simpson
      The Prayer Room, 2023
      83 x 60 cm
      Wall paint, acrylic and graphite on canvas
    • Guy Simpson The Spare Room, 2023 83 x 60 cm Wall paint, acrylic and graphite on canvas
      Guy Simpson
      The Spare Room, 2023
      83 x 60 cm
      Wall paint, acrylic and graphite on canvas
    • Guy Simpson Mother and Son, 2023 190 x 198 cm Wall paint, acrylic and graphite on canvas
      Guy Simpson
      Mother and Son, 2023
      190 x 198 cm
      Wall paint, acrylic and graphite on canvas
    • Guy Simpson Mezuzah, 2023 37 x 3 x 9 cm Black teak, pine, plywood and concealed note
      Guy Simpson
      Mezuzah, 2023
      37 x 3 x 9 cm
      Black teak, pine, plywood and concealed note
    • Thomas Wachholz Honeycomb, 2022 75 x 95 cm Honeycomb Red phosphorus, soot on cardboard (framed)
      Thomas Wachholz
      Honeycomb, 2022
      75 x 95 cm
      Honeycomb
      Red phosphorus, soot on cardboard (framed)
    • Thomas Wachholz The Kiss, 2022 8 x 62 x 38 cm Bronze Edition of 3 plus 2 artist's proofs
      Thomas Wachholz
      The Kiss, 2022
      8 x 62 x 38 cm
      Bronze

      Edition of 3 plus 2 artist's proofs
    • Nonzuzo Gxekwa Untitled VI, 2020 59.4 x 42 cm Archival inkjet print on enhanced matte paper Edition of 8 plus 2 artist's proofs
      Nonzuzo Gxekwa
      Untitled VI, 2020
      59.4 x 42 cm
      Archival inkjet print on enhanced matte paper
      Edition of 8 plus 2 artist's proofs
    • Nonzuzo Gxekwa Indoni Yamanzi, 2020 59.4 x 42 cm Archival inkjet print on enhanced matte paper Edition of 8 plus 2 artist's proofs
      Nonzuzo Gxekwa
      Indoni Yamanzi, 2020
      59.4 x 42 cm
      Archival inkjet print on enhanced matte paper
      Edition of 8 plus 2 artist's proofs
    • Nonzuzo Gxekwa Life in Monochrome, 2019 59.4 x 42 cm Archival inkjet print on enhanced matte paper Edition of 8 plus 2 artist's proofs
      Nonzuzo Gxekwa
      Life in Monochrome, 2019
      59.4 x 42 cm
      Archival inkjet print on enhanced matte paper
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 5, 2022 56.1 x 84.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 5, 2022
      56.1 x 84.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Driaan Claassen Tell the truth, 2023 60 x 45 x 45 cm Bronze & Marble
      Driaan Claassen
      Tell the truth, 2023
      60 x 45 x 45 cm
      Bronze & Marble
    • Driaan Claassen Rising tide., 2023 25 x 28 x 24 cm Copper & Ceramic
      Driaan Claassen
      Rising tide., 2023
      25 x 28 x 24 cm
      Copper & Ceramic
    • Driaan Claassen Piercing Cold., 2023 30 x 22 x 18 cm Copper & Ceramic
      Driaan Claassen
      Piercing Cold., 2023
      30 x 22 x 18 cm
      Copper & Ceramic
    • Driaan Claassen Resting in the forest., 2022 22 x 25 x 16 cm Ceramic & Copper
      Driaan Claassen
      Resting in the forest., 2022
      22 x 25 x 16 cm
      Ceramic & Copper
    • Driaan Claassen I am worthy of safety, 2023 30 x 21 x 22cm Bronze
      Driaan Claassen
      I am worthy of safety, 2023
      30 x 21 x 22cm
      Bronze
    • Abdus Salaam Heartwood Symphonic_Lavender, 2023 Cast pigmented UV stabilised epoxy resin sculpture with polyurethane automotive UV clear coat finish
      Abdus Salaam
      Heartwood Symphonic_Lavender, 2023
      Cast pigmented UV stabilised epoxy resin sculpture with polyurethane automotive UV clear coat finish
    • Abdus Salaam Heartwood Symphonic_Forest Green, 2023 Cast pigmented UV stabilised epoxy resin sculpture with polyurethane automotive UV clear coat finish
      Abdus Salaam
      Heartwood Symphonic_Forest Green, 2023
      Cast pigmented UV stabilised epoxy resin sculpture with polyurethane automotive UV clear coat finish
    • Abdus Salaam Meaning Surah Yaseen, 2022 100 x 100 x 3.5 cm Oil on stainless steel
      Abdus Salaam
      Meaning Surah Yaseen, 2022
      100 x 100 x 3.5 cm
      Oil on stainless steel
    • Abdus Salaam Meaning III Surah Ar-Rahman, 2022 100 x 100 x 3.5 cm Oil on stainless steel
      Abdus Salaam
      Meaning III Surah Ar-Rahman, 2022
      100 x 100 x 3.5 cm
      Oil on stainless steel
    • Abdus Salaam Untitled I, 2022 29 x 17 cm African Jade Crystal
      Abdus Salaam
      Untitled I, 2022
      29 x 17 cm
      African Jade Crystal
    • Abdus Salaam Here (Now) III, 2022 100 x 100 cm Acrylic ink on cotton
      Abdus Salaam
      Here (Now) III, 2022
      100 x 100 cm
      Acrylic ink on cotton
    • Abdus Salaam Here (Now) II, 2022 100 x 100 cm Acrylic ink on cotton
      Abdus Salaam
      Here (Now) II, 2022
      100 x 100 cm
      Acrylic ink on cotton
    • Abdus Salaam Between swells II , 2022 130 x 130 cm Acrylic ink on canvas
      Abdus Salaam
      Between swells II , 2022
      130 x 130 cm
      Acrylic ink on canvas
    • Abdus Salaam Compass, 2022 25 x 31 cm Pink Clinozoisite Crystal
      Abdus Salaam
      Compass, 2022
      25 x 31 cm
      Pink Clinozoisite Crystal
    • Jake Michael Singer Inverse Murmur, 2023 DIMENTIONS: 70 x 50x 98 cm BASE DIMENTIONS: 40 x40 x 10 cm WEIGHT: 61KG Marine grade stainless steel (316)
      Jake Michael Singer
      Inverse Murmur, 2023
      DIMENTIONS: 70 x 50x 98 cm
      BASE DIMENTIONS: 40 x40 x 10 cm
      WEIGHT: 61KG
      Marine grade stainless steel (316)
    • Jake Michael Singer Fusion Murmur, 2023 70 x 60 x 90 cm Marine grade stainless steel (316)
      Jake Michael Singer
      Fusion Murmur, 2023
      70 x 60 x 90 cm
      Marine grade stainless steel (316)
    • Jake Michael Singer Metaphorical Murmur, 2022 950 x 750 x 750 mm Marine grade stainless steel (316)
      Jake Michael Singer
      Metaphorical Murmur, 2022
      950 x 750 x 750 mm
      Marine grade stainless steel (316)
  • Dominique Cheminais

    Dominique Cheminais

    Dominique Cheminais (b 1984) is a novelist and painter from Cape Town, South Africa. In 2010, she had an exhibition of paintings, titled For Esme with Love and Squalor, at Blank Projects. Shortly afterwards she stopped painting entirely and dedicated herself to writing fiction. She is the author of a collection of short stories, Slim Foot on the Neck of a Dead Lion and Immovable Movers, a book of abstract poetry. Her first novel, The Animal Breaking Through the Flesh, came out in 2015 followed by her second novel Eighty-Four Thousand. Her most recent novel Indefinite Holiday will be published in the US later this year through Pig Roast Publishing. Her novel Many Shallows has provided the inspiration for her new paintings.

     

    Since re-entering the art world, she has shown work on FNB Joburg Art Fair with Stevenson Gallery, participated in a group show presented by Guy Simpson at Under Projects, and done a residency to launch her novel Many Shallows with A4 arts foundation, painting the walls and ceiling of the Goods space at Proto A4.

  • Driaan Claassen

    Driaan Claassen

    Born in Johannesburg in 1991, sculptor Driaan Claassen first studied 3D animation before apprenticing with Otto du Plessis, artist and founder of Bronze Age Foundry. Claassen is currently based in Cape Town, where he opened his own design and fine art studio, Reticence, in 2015.

    Claassen works primarily in bronze, wood, and wire. Inspired by technology from a young age, he elevates the materiality of his sculptural mediums by merging cutting-edge machinery, traditional craftsmanship, and deep introspection.

     

    For Claassen, manipulating the physical world has psychological implications. Through the abstracted forms his sculptures take whether solid or fractal, geometric or organic he reflects on the structure of the human mind and thought. He explores the intersection of our consciousness with the outside world, where light and dark meet, positive and negative space, the defined and amorphous, order and chaos. Claassen has created a visual language that juxtaposes shape, colour, texture, and pattern to offer insight into his search for self-knowledge. Claassen’s work has been exhibited locally and internationally, including at Design Miami, Design Miami/Basel, GUILD Design Fair, PAD London, and Intersect Chicago.

     

  • Nonzuzo Gxekwa, Untitled VI, 2020
    Artworks

    Nonzuzo Gxekwa

    Untitled VI, 2020

    Nonzuzo Gxekwa (b. 1981) is a Johannesburg based photographer. Her approach to photography favours the everyday over the spectacular; sharing intimate moments by focusing the camera on what is around her as well as on herself. Whether photographing in the street or in the studio, her work explores the human condition in subtle and beautiful ways. Her optic is loving. It’s not simply that she chooses to focus on moments of self love—the way people occupy themselves—but that in the taking, her subjects are never wholly circumscribed. There is always space to manoeuvre. Collaboration is a crucial part of her practice, and she regularly works with photographers and other creatives in Johannesburg and further afield.

     

    Nonzuzo’s work was included in Presence: Five Contemporary African Photographers at the Photographer’s Gallery in London from July – August 2021. In November 2021 Nonzuzo was selected for Self-Addressed, organised by Kehinde Wiley and Jeffrey Deitch in Los Angeles. For this landmark exhibition, Wiley invited a selection of contemporary African artists to produce a self-portrait. Together these portraits presented a new exploration of identity, perception, and self-regard within the global stage. She was also accepted to complete a year long residency at the prestigious Jan van Eyck Academie.

     

    In 2022 her collaborative work, The Mask Project formed part of the exhibition Hope from Chaos: Pandemic Reflections at the ArtScience Museum at Marina Bay Sands in Singapore.

  • Jake Michael Singer, Fusion Murmur, 2023
    Artworks

    Jake Michael Singer

    Fusion Murmur, 2023
    Born 1991 in South Africa
     
    Currently lives and works in Johannesburg, South Africa Jake Michael Singer experiments with a broad range of disciplines from photography to works on paper, and commands an exquisite mastery of sculpture. Drawing inspiration from the emergent behaviour of flocking birds, where the individual is subsumed in the whole; and meditating on the timeless monumentality of the Winged Victory of Samothrace, his Murmurations series speaks to our time. Meticulously constructed, using up to sixteen thousand meters of marine grade stainless steel for a single sculpture, the Murmurations series establishes his position as one of the leading young sculptors from Africa.
     
    Singer completed his bachelor’s at Michaelis School of Fine Art in 2013, after deepening his learning over the course of 2012 at Central Saint Martins in London. He was recognised by the Eduardo Villa Foundation Grant both in 2016 and 2017, the youngest sculptor yet awarded this. His work features in private collections in South Africa, Germany, Greece, Canada, Turkey, the United Kingdom, and the United States, and he has further completed two large-scale public sculptures in Johannesburg: Dawn Chorus, part of the RMB Collection in the Think Precinct, and Roarke’s Evacuation Plan, a landmark on the Jo’burg skyline. In 2020, he launched the Emergence Art Prize with THK Gallery, which was supported by RMB. His work has been exhibited at Zeitz MOCAA, and his large installation And all the Birds Flew with a Harsh Scream (Marmara), 2020, was featured in Iziko Museum’s most recent exhibition Matereality. It is now currently on exhibition at the Norval Foundation. In October 2021, Singer completed Bennu Stassis, a site-specific installation in a former Hamman in Istanbul dating from 1477.
  • Guy Simpson, The Entrance Hall, 2023
    Artworks

    Guy Simpson

    The Entrance Hall, 2023
    Guy Simpson (b. 1994) is a visual artist based in Cape Town, South Africa. 
     
    Simpson is focused on conveying sculptural forms and casual drawings using cartoon tropes as a visual springboard, framing them as multi-layered sculptures and the inaccessible as delicate drawings. Currently, Simpson’s process is an investigation into the synchronicity of place and time, keeping the works approachable yet cheeky - so as to uplift small truths from within the giant-ness of changing life, and so an ability to ‘take part' becomes a lot more dauntless and fun.
     
     Guy Simpson is a co-fonder of expiremental art space, Under Projects based in Cape Town He has exhibited his work at, 4x4 EIGEN + ART, LAB (2023), Untitled 9.99 99 LOOP Cape Town, South (2022), The Spectacle (2020), Apartment X THEFOURTH (2020).
  • Abdus Salaam, Here (now) VII, 2022
    Artworks

    About Abdus Salaam

    Here (now) VII, 2022

    Abdus Salaam is a self-taught multi-disciplinary artist from Cape Town, South Africa. Inspired by natural beauty and spirituality, Salaam reveals a sensitivity to three- dimensional spatial expression and the metaphysical connotations inherent in materials. Contemporary in his mystic abstraction, his work is rooted in poetry, calling from a familiar place to a state of peaceful and intensive longing. Moving freely between mediums – from sculpture to painting, video, photographic 'light paintings’, poetry, augmented reality, and music – he creates poetic worlds, from the intimate to large-scale installation. Salaam’s Heartwood Series is a meditation on the unseen heart, viewed through the poetic beauty of trees. By focusing on the natural formations within, Salaam refers to both our capacity for abstraction and growth, and our shared malleable form. Just as trees are moved by wind, sun, and the those around them, we too are shaped by the symphony of life that surrounds us.

     

    Abdus Salaam’s oil paintings on stainless steel and aluminium are an expression of meditation and meaning. Each work is started and finished in a single session often 12-16 hours long of intensive repetition both inwardly and outwardly as the artist recites aloud a specific chapter of the Holy Quran in Arabic, continuously, from memory, until a given work is completed. Acting as a medium of sound the marks that the artist makes on the substrate are made with a single brush rotated in the same movement from the inside out, creating a very light impasto with a glossy finish that defuses light in a shimmering swirl as the viewer’s perspective changes. Salaam’s work looks beyond tropes of identity and outer struggle, instead focusing on unity and on the expansive spiritual inner realities of beauty, peace and striving, as they relate to nature and our shared human experience.

  • Jake Michael Singer, Metaphorical Murmur, 2022
    Artworks

    About Jake Michael Singer

    Metaphorical Murmur, 2022

    Jake Michael Singer (b. 1991) experiments with a broad range of disciplines from photography to works on paper and commands an exquisite mastery of sculpture. Drawing inspiration from the emergent behaviour of flocking birds, where the individual is subsumed in the whole; and meditating on the timeless monumentality of the Winged Victory of Samothrace, his Murmurations series speaks to our time. Meticulously constructed, using up to sixteen thousand meters of marine grade stainless steel for a single sculpture, the Murmurations series establishes his position as one of the leading young sculptors from Africa. 

     

    Singer has held solo shows in Africa and America and been part of over 60 group shows since graduating in 2013. He was recognised by the Eduardo Villa Foundation Grant both in 2016 and 2017, the youngest sculptor yet awarded this. His work features in private collections in South Africa, Germany, Greece, Canada, Turkey, the United Kingdom, and the United States.

     

  • Trevor Stuurman, Tongoro Beauty 2, 2022
    Artworks

    Trevor Stuurman

    Tongoro Beauty 2, 2022
    Kimberley born,  Stuurman, 28, is an award winning contemporary multimedia visual artist, AFDA graduate with a BA(hons) motion picture & live performance who sees the world through his creative lens and finds beauty in that which reminds him of home - a place that is imbued with colour, love and belonging that reflects Africa. Ever since he burst onto the creative scene scooping the Elle style reporter title in 2012, Trevor has easily cemented himself as a creative force to be reckoned with.
     
    A seasoned explorer, he cites travel as his core inspiration. “the more I leave home, the more I realise the power and currency that home has. And I think that in turn makes me a better storyteller because I am able to find pieces of home wherever I go and then create tangible products”. This essence of belonging inspired him to host his first solo exhibition entitled “home”, a love letter to the Himba women of Namibia that enjoyed a successful run at the hazard gallery in Johannesburg. Subsequently, Trevor has exhibited in a group exhibition at Digitalia; the art and economy of ideas in San Francisco at the museum of the African diaspora. Trevor has curated his own installations; “teleporting into Africa” and “this is home” for the Absolut one source live creative festivals and “this is home” at the Motsepe foundation’s Mandela 100 summit.
     
  • Mmangaliso Nzuza, Head in the Clouds, 2023
    Artworks

    Mmangaliso Nzuza

    Head in the Clouds, 2023

    Mmangaliso Nzuza (b. 1998) is a visual artist who lives and works in Durban, South Africa. Nzuza is a figurative painter who draws inspiration from his own personal history and popular culture. He received a Master of Arts with Honours at The University of Edinburgh, Scotland, and has developed a unique style that reflects his personal experiences. Mmangaliso's style is characterized by his use of oil paints to create figurative paintings. He often depicts his figures in a state of stagnation, which reflects his own struggles with social anxiety. The figures in his, paintings are often depicted in a reflective and contemplative state, and he uses colour and composition to convey a sense of depth and complexity and a sense of individuality to each character.

     

    “Inspired by my own personal history and popular culture. The idea of stagnation and mental health development is a recurring theme in my work and for me, the forming of my figures is a means of uncovering an individual’s character. This is a core focus of my practice with figurative oil paintings that express my battle with social anxiety.”

    Mmangaliso's art is significant because it gives voice to the struggles of those who suffer from social anxiety and mental health issues. His work is a powerful reminder that mental health is an ongoing battle and can inspire those who feel alone in their struggles. Through his art, Mmangaliso is able to create a sense of understanding, and connection to the experiences of others.

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