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Light + Space

Past viewing_room
20 December 2023 - 2 February 2024
  • LIGHT + SPACE

    Driaan Claassen | Gopal dagnogo | nonzuzo gxekwa | talut kareem | johno mellish | ZANELE MONTLE | Abdus Salaam | Trevor stuurman | Lulama wolf

  • Reflecting on an extraordinary year, the exhibition takes its name from the Light and Space of the Southern Summer. Wherever you are, may the bright Southern Summer light find you, and give you space for reflection and time to recharge.

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    • Zanele Montle Yini engizoyi'qoka namhlanje, 2023 60 x 60 cm Acrylic on canvas
      Zanele Montle
      Yini engizoyi'qoka namhlanje, 2023
      60 x 60 cm
      Acrylic on canvas
    • Zanele Montle Sibambisene, 2022 45 x 45 cm Acrylic on canvas
      Zanele Montle
      Sibambisene, 2022
      45 x 45 cm
      Acrylic on canvas
    • Zanele Montle Untitled, 2023 74 x 59 cm Acrylic on canvas
      Zanele Montle
      Untitled, 2023
      74 x 59 cm
      Acrylic on canvas
    • Zanele Montle Asikhathalele abafana, 2023 74 x 59 cm Acrylic on canvas
      Zanele Montle
      Asikhathalele abafana, 2023
      74 x 59 cm
      Acrylic on canvas
    • Abdus Salaam Compass, 2022 25 x 31 cm Pink Clinozoisite Crystal
      Abdus Salaam
      Compass, 2022
      25 x 31 cm
      Pink Clinozoisite Crystal
    • Abdus Salaam Heartwood Symphonic Rahma, 2022 70 x 70 x 2.5 cm Cast pigmented UV stabilised epoxy resin sculpture with polyurethane automotive UV clear coat finish
      Abdus Salaam
      Heartwood Symphonic Rahma, 2022
      70 x 70 x 2.5 cm
      Cast pigmented UV stabilised epoxy resin sculpture with polyurethane automotive UV clear coat finish
    • Abdus Salaam Untitled I, 2022 29 x 17 cm African Jade Crystal
      Abdus Salaam
      Untitled I, 2022
      29 x 17 cm
      African Jade Crystal
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    • Abdus Salaam In Simple Terms I: Work and Wander, 2023 135 x 135 cm Acrylic ink on canvas
      Abdus Salaam
      In Simple Terms I: Work and Wander, 2023
      135 x 135 cm
      Acrylic ink on canvas
    • Nonzuzo Gxekwa Untitled (Flower series 12), 2021 59.4 x 42 cm Archival inkjet print on enhanced matte paper Edition of 8 plus 2 artist's proofs
      Nonzuzo Gxekwa
      Untitled (Flower series 12), 2021
      59.4 x 42 cm
      Archival inkjet print on enhanced matte paper
      Edition of 8 plus 2 artist's proofs
    • Nonzuzo Gxekwa Untitled (Flower series 14), 2021 59.4 x 42 cm Archival inkjet print on enhanced matte paper Edition of 8 plus 2 artist's proofs
      Nonzuzo Gxekwa
      Untitled (Flower series 14), 2021
      59.4 x 42 cm
      Archival inkjet print on enhanced matte paper
      Edition of 8 plus 2 artist's proofs
    • Nonzuzo Gxekwa Beaded Blue Headpiece, 2021 59.4 x 42 cm Archival inkjet print on enhanced matte paper Edition of 8 plus 2 artist's proofs
      Nonzuzo Gxekwa
      Beaded Blue Headpiece, 2021
      59.4 x 42 cm
      Archival inkjet print on enhanced matte paper
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 5, 2022 56.1 x 84.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 5, 2022
      56.1 x 84.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Trevor Stuurman Tongoro Beauty 2, 2022 84.1 x 56.1 cm Ilford Crystal Gloss Giclee Edition of 8 plus 2 artist's proofs
      Trevor Stuurman
      Tongoro Beauty 2, 2022
      84.1 x 56.1 cm
      Ilford Crystal Gloss Giclee
      Edition of 8 plus 2 artist's proofs
    • Driaan Claassen Tell the truth, 2023 60 x 45 x 45 cm Bronze & Marble
      Driaan Claassen
      Tell the truth, 2023
      60 x 45 x 45 cm
      Bronze & Marble
    • Talut Kareem Untitled 3, 2023 28 x 38 cm Charcoal on canvas sheet
      Talut Kareem
      Untitled 3, 2023
      28 x 38 cm
      Charcoal on canvas sheet
    • Talut Kareem Untitled 4, 2023 28 x 38 Charcoal on canvas sheet
      Talut Kareem
      Untitled 4, 2023
      28 x 38
      Charcoal on canvas sheet
    • Johno Mellish Parking Lot, 2020 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Parking Lot, 2020
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
    • Johno Mellish Static, 2021 100 x 125 cm | 64 x 80 cm | 32 x 40 cm Chromogenic print. Signed and numbered in ink on a label accompanying the print. Edition of 8 plus 2 artist's proofs
      Johno Mellish
      Static, 2021
      100 x 125 cm | 64 x 80 cm | 32 x 40 cm
      Chromogenic print. Signed and numbered in ink on a label accompanying the print.
      Edition of 8 plus 2 artist's proofs
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    • Gopal Dagnogo Still Life Boogie 1, 2021 150 x 150 cm Acrylic and pastel on canvas
      Gopal Dagnogo
      Still Life Boogie 1, 2021
      150 x 150 cm
      Acrylic and pastel on canvas
    • Gopal Dagnogo Still Life Boogie 11, 2021 150 x 150 cm Acrylic and pastel on canvas
      Gopal Dagnogo
      Still Life Boogie 11, 2021
      150 x 150 cm
      Acrylic and pastel on canvas
  • About Driaan Claassen

    About Driaan Claassen

    Born in Johannesburg in 1991, sculptor Driaan Claassen first studied 3D animation before apprenticing with Otto du Plessis, artist and founder of Bronze Age Foundry. Claassen is currently based in Cape Town, where he opened his own design and fine art studio, Reticence, in 2015. Claassen works primarily in bronze, wood, and wire. Inspired by technology from a young age, he elevates the materiality of his sculptural mediums by merging cutting-edge machinery, traditional craftsmanship, and deep introspection. 
     
    For Claassen, manipulating the physical world has psychological implications. Through the abstracted forms his sculptures take whether solid or fractal, geometric or organic he reflects on the structure of the human mind and thought. He explores the intersection of our consciousness with the outside world, where light and dark meet, positive and negative space, the defined and amorphous, order and chaos. Claassen has created a visual language that juxtaposes shape, colour, texture, and pattern to offer insight into his search for self-knowledge. Claassens work has been exhibited locally and internationally, including at Design Miami, Design Miami/Basel, GUILD Design Fair, PAD London, and Intersect Chicago.
  • Nonzuzo Gxekwa, Untitled VI, 2020
    Artworks

    About Nonzuzo Gxekwa

    Untitled VI, 2020

    Nonzuzo Gxekwa (b. 1981) is a Johannesburg based photographer. Her approach to photography favours the everyday over the spectacular; sharing intimate moments by focusing the camera on what is around her as well as on herself. Whether photographing in the street or in the studio, her work explores the human condition in subtle and beautiful ways. Her optic is loving. It’s not simply that she chooses to focus on moments of self love—the way people occupy themselves—but that in the taking, her subjects are never wholly circumscribed. There is always space to manoeuvre. Collaboration is a crucial part of her practice, and she regularly works with photographers and other creatives in Johannesburg and further afield.

     

    Nonzuzo’s work was included in Presence: Five Contemporary African Photographers at the Photographer’s Gallery in London from July – August 2021. In November 2021 Nonzuzo was selected for Self-Addressed, organised by Kehinde Wiley and Jeffrey Deitch in Los Angeles. For this landmark exhibition, Wiley invited a selection of contemporary African artists to produce a self-portrait. Together these portraits presented a new exploration of identity, perception, and self-regard within the global stage. She was also accepted to complete a year long residency at the prestigious Jan van Eyck Academie.

     

    In 2022 her collaborative work, The Mask Project formed part of the exhibition Hope from Chaos: Pandemic Reflections at the ArtScience Museum at Marina Bay Sands in Singapore.

  • About Gopal Dagnogo

    About Gopal Dagnogo

    Beyond the obvious cultural syncretism, Dagnogo’s paintings offer several levels of interpretation: a hybrid of aesthetics, mediation painting, and a reconciliation between the human and the sacred. His works, a tribute to the banality of the everyday, question identity, the relative and differences. They include the Sacred as an inner necessity to question human tragedy and our relationship to the world. Memory, consciousness, recollection – the obscure images challenge each other, collide or sometimes isolate themselves.

     

    As with a superimposition, Dagnogo tries to invent and re-enchant a contemporary mythology that emphasizes domestic paradoxes and the contradictions of a world both more civilized and more violent, more respectful and less tolerant, which makes him react with brushstrokes.

     

    Dagnogo has exhibited extensively worldwide. His most recent international exhibitions include solo presentation at Gallery OH in Dakar (2020), and group presentations at H-Gallery, Paris (2020); Galerie Véronique, Paris (2020); and the Abu Dhabi Art Fair (2020). Additionally, he participated in the the 11th and 12th Dak’Art Biennale, Dakar, Senegal (2014 / 2016); the first Biennale of Kampala, Uganda (2014); and the 5th Maiden Tower International Festival, Baku, Azerbaidjan (2014). He has also participated in numerous artist residency programs, including the Art Omi in New York (2014). Some of his works are included in public and private collections, such as the Lisser Art Museum in Sassenheim, Netherlands, and Kuwait’s Museum of Modern Art.

  • About Abdus Salaam

    About Abdus Salaam

    Abdus Salaam is a self-taught multi-disciplinary artist from Cape Town, South Africa. Inspired by natural beauty and spirituality, Salaam reveals a sensitivity to three- dimensional spatial expression and the metaphysical connotations inherent in materials. Contemporary in his mystic abstraction, his work is rooted in poetry, calling from a familiar place to a state of peaceful and intensive longing. Moving freely between mediums - from sculpture to painting, video, photographic 'light paintings', poetry, augmented reality, and music- he creates poetic worlds, from the intimate to large-scale installation.
     
    Salaam is represented in collections locally and abroad, including the Afkhami, Drake and Brundyn Collections. He had two sold out solo presentations at the Investec Cape Town Art Fair and Abu Dhabi Art in 2022. In 2023 Salaam was finalist in the Art Figura Prize, culminating in an exhibition in Perla Castrum Museum in Schwartzenberg Castle, Germany. In 2023 he was further selected as the artist in residence for the prestigious Institute of Public Architecture's Blockhouse Residency on Governor's Island, New York. In November he will present a solo presentation in the Focus Section of Abu Dhabi Art at the invitation of curator Riccarda Mandrini.
  • About Lulama Wolf

    About Lulama Wolf

    Born 1993 in South Africa
    Currently lives and works in Johannesburg, South Africa
     
    At the intersection of Neo-Expressionism and Modern African Art, Lulama Wolf interrogates the pre-colonial African experience through the contemporary mind by using smearing, scraping, and deep pigment techniques that were used in vernacular architecture, and the patterns created largely by women to decorate traditional African homes.
     
    "My work carries my spirit, before it carries a message. My intuition plays a vital role in the direction I go and then I compartmentalise with what I prioritise. I represent different parts of myself including abstraction, curiosity, mythology, spirituality and introspection. Blackness is vital in my work because it is created by a black woman despite the medium or language it speaks, it is vital because proof of existence is rare in the black community, information is shared but isn’t sustained in ways that are knowledgeable to us right now. I express my yearning for answers and clarity in ways that make my blackness clear even when the work is abstract. My practice embodies subtlety in a form of texture and expression, a curious mix of ambiguity and curiosity. I experiment with different textures and mold that are formed from the earth."
     
    At only 30 years of age, Wolf has held solo exhibitions in Cape Town, London and Athens. Her work has been shown at Frieze London in 2022 with The Breeder, and in June that year she was exhibited at Art Basel. In August 2023 her work was presented in Copenhagen a dual presentation with sculptures from estate of Sonia Ferlov, a Danish sculptor and wife Ernest Mancoba, one of the leading modernist South African painters who was exiled in Denmark during the Apartheid years.
  • About Zanele Montle

    About Zanele Montle

    Zanele Montle was born and raised in a small town in Empangeni. She received her national diploma from the University of Johannesburg and completed her undergraduate degree at the Tshwane University of Technology. She has taken part in several group shows, most recently at the Art It Is gallery in Johannesburg. She holds a postgraduate qualification in art education and currently works as an art educator and a painter. In 2021 she was was awarded the WOMXN TO WATCH prize. 

  • About Trevor Stuurman

    About Trevor Stuurman

    Trevor Stuurman (b.1992) is an internationally acclaimed, award-winning visual artist, creative director and media entrepreneur. Blurring the lines with his work behind the lens and in front of it, Trevor’s oeuvre is crafting a complex new discourse about the role of young African artists and the nature of virtual mediums in the continent’s contemporary creative culture.

     

    Trevor’s work combines his educational background in motion picture & live performance with a multitude of creative fields such as fashion and performance art, allowing him to find and capture a uniquely African ‘perspective on beauty’, he explains, that reminds him of home: ‘a place that is imbued with colour, love and belonging thatreflects Africa.’

     

    Starting out as a street photographer capturing Johannesburg’s vibrant creative scene in the early 2000’s, Trevor rapidly grew into a household name during his tenure as Elle magazine’s style reporter in 2012. Since then he has gone on to captivate the public with his work, seeing him named Marie Claire magazine’s ‘Image Maker for 2018’, GQ magazine’s ‘King of Creativity’, one of Forbes Africa’s 30 Under 30 and TIME Magazine’s Next Generation Leader for 2021 among others. In the same year Trevor was selected by the Disney group to interpret Marvel’s Black Panther film into a new work, and became one of British Vogue’s contributors – alongside a prominent feature of his photography in the Photo Vogue Festival — and had his work published in the ‘Swinging Africa’ monograph by Emmanuelle Courreges.

     

    Described as “a cultural force” by CNN’s African voices feature, his work with global humanitarian foundations includes the United Nations, the Bill & Miranda Gates Foundation and the Obama Foundation to document former American president Barack Obama during his travels in Africa. Trevor continues his work in beauty and fashion and has captured the likes of Dr. Esther Mahlangu, Miss Universe 2019 Zizobini Tunzi, Naomi Campbell, Teyana Taylor, Shanelle Nyasiase, Gigi & Bella Hadid, Kendall Jenner and Iman Hammam. 

    As a British Vogue contributor Trevor was part of the team who created and styled ‘Black is King’ for Beyonce. Trevor’s work at Arise Africa and Afro Punk Johannesburg has further contributed significantly to the increasing global interest in the work of creatives from the continent.

    He is currently featured in the Brooklyn Museum’s seminal Africa Fashion exhibition with his ‘Tongoro Beauty’ series, and an early important work ‘Mama Panther’, which THK Gallery will present at Unseen Amsterdam 2023. 

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