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Memory Frame: Nina Turok Shaprio & Kayla Howie

Past viewing_room
11 July - 24 August 2024
  • Memory Frame

    Nina Turok Shapiro & Kayla Howie  
  • Memory Frame explores memory and intimacy through the lens of the body, in a dual presentation of works by Nina Turok Shapiro and Kayla Howie.

    These tender depictions of the human form explore the body as an emotional core, a site of re/construction, and a locus of life and death.

     

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  • Nina Turok Shapiro examines the body's dualities of pleasure and discomfort, vulnerability and power. In her Bellyful series, she presents the belly as an emotional center, our first maternal connection, and vessel of emotion and trauma. Her vibrant silk-screen prints focus on the belly-button, rendering it in microscopic yet cosmic forms. Turok Shapiro uses colour to engage with the belly as a space of softness. 

     

    In After Image: Echoes in Colour, Turok Shapiro reimagines her family archives. She foregrounds nostalgia and memory, while engaging with her experience as a second-generation South African in the Jewish diaspora. Drawing from family photographs and oral histories, she reconstructs lost narratives. Her portrayals of intimate family moments, both real and imagined, highlight the body as a site of connection.

     
    • Nina Turok Shapiro Bellies II, 2022 10.8 x 17.5 cm Silk-screen print on Fabriano Unica
      Nina Turok Shapiro
      Bellies II, 2022
      10.8 x 17.5 cm
      Silk-screen print on Fabriano Unica
    • Nina Turok Shapiro Bellies V, 2022 10.9 x 17.5 cm Silk-screen print on Fabriano Unica
      Nina Turok Shapiro
      Bellies V, 2022
      10.9 x 17.5 cm
      Silk-screen print on Fabriano Unica
    • Nina Turok Shapiro Bellies VIII, 2022 10.9 x 17.5 cm Silk-screen print on Fabriano Unica
      Nina Turok Shapiro
      Bellies VIII, 2022
      10.9 x 17.5 cm
      Silk-screen print on Fabriano Unica
    • Nina Turok Shapiro Bellies X , 2022 10.9 x 17.5 mm Silk-screen print on Fabriano Unica
      Nina Turok Shapiro
      Bellies X , 2022
      10.9 x 17.5 mm
      Silk-screen print on Fabriano Unica
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    • Nina Turok Shapiro Artificial Nostalgia, 2023 95 x 151 cm Silk-screen print on unstretched canvas
      Nina Turok Shapiro
      Artificial Nostalgia, 2023
      95 x 151 cm
      Silk-screen print on unstretched canvas
    • Nina Turok Shapiro Shadow, 2023 75.9 x 75 cm Silk-screen print on unstretched canvas
      Nina Turok Shapiro
      Shadow, 2023
      75.9 x 75 cm
      Silk-screen print on unstretched canvas
  • Kayla Howie intimately explores the body and our common fragility in her series Unseeing. Her rich paintings foreground the physicality of flesh and softness of the body, standing as visceral reminders of our shared mortality. Howie paints clasped hands and networks of veins beneath the skin, juxtaposed with confrontational depictions of bruises and cuts. These wounds become portraits of our ephemerality, evoking a sense of abjection, a type of viewership defined by discomfort. Howie challenges viewers to reflect on their own physicality and emotion in response to her work. 

    • Kayla Howie Expose, 2023 30 x 27 cm Oil on board
      Kayla Howie
      Expose, 2023
      30 x 27 cm
      Oil on board
    • Kayla Howie Touch, 2024 42.5 x 30 cm Oil on board
      Kayla Howie
      Touch, 2024
      42.5 x 30 cm
      Oil on board
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    • Kayla Howie Veins, 2023 42 x 30 cm Oil on board
      Kayla Howie
      Veins, 2023
      42 x 30 cm
      Oil on board
    • Kayla Howie Grandma, 2023 92 x 137 cm Oil on board
      Kayla Howie
      Grandma, 2023
      92 x 137 cm
      Oil on board
  • ABOUT KAYLA HOWIE

    ABOUT KAYLA HOWIE

    Kayla Howie (b. 2000) is a Cape Town based artist who predominantly works with oil paint, using her own body as a central reference in her work. 

     

    Kayla completed her Bachelor of Fine Arts at the University of Cape Town in 2023. During her degree, she explored various painting techniques but ultimately focused on oil paintings that depict the fragility and abjection of the body for her final year. 

     

    During this period, she made dean’s merit list for both her third and fourth years. Additionally, she was awarded the painting prize following her graduation. 

     

    Currently, Kayla’s art centers on the theme of bodily fragility. Through her oil paintings, she explores the nuances of skin, depicting both wounded and delicate, unharmed flesh. Her work frequently features portraiture, especially self-portraits, and images of her own body. Through these intimate depictions of fragility and mortality, Kayla aims to create a connection with the viewer, encouraging them to reflect on their own mortality and the nature of their bodies. 

  • ABOUT NINA TUROK SHAPIRO

    ABOUT NINA TUROK SHAPIRO

    Nina Turok Shapiro (b. 2000, South Africa) is a Cape Town based artist who works predominantly with silk-screen printing and photography. She completed her Bachelor’s degree in Fine Art at the Michaelis School of Fine Art in 2023. 

     

    Before her university studies, Shapiro spent half of 2019 travelling in Europe and worked, among other things, as a youth reporter in Switzerland interviewing artists whose work involved aspects of social and environmental activism. It was this experience that provided the impetus to pursue a career in Fine Art. 

     

    Shapiro’s artistic praxis explores nostalgia and memory in relation to her experience as a second- generation South African in the Jewish diaspora. She reimagines her family archives through performative photography, silk-screen printing, video art, and colour selection. 

    From the silence of previous diasporic generations emerges a vacuum in the archive. Much is left to the imagination in the interpretation of ancestral personal experiences. Shapiro’s praxis emerges as an attempt to navigate the liminality intrinsic to a diasporic identity – an identity that is intertwined with the enigmatic histories and cultures of her ancestors, together with the artist’s contemporary experiences in modern-day South Africa. 

     

    Silk-screen printing allows for the creation of a new form of documentation and image-making in which Shapiro combines and intertwines herself and her family’s history. Using her digitised archive and her own constructed photographs, she zooms in on specific moments that help form a narrative. This allows for pixelation, a loss of information, and abstraction when these zoomed-in moments become silk-screen prints. The boundaries between analogue and digital processes become blurred, resulting in a memory landscape where moments of combining different media become frames of parallel narratives. 

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