• Tshepiso Moropa

    Photo London Booth J22
    14-17 May
  • Dinaane and Ditoro , Folktales and Dreams

    Dinaane and Ditoro

    Folktales and Dreams
     
     

     

     

    Tshepiso Moropa’s collage practice draws from Dinaane (Setswana folktales) and Ditoro (dreams) as interconnected systems of knowledge, where memory, inheritance, and imagination are carried through repetition, ambiguity, and transformation. In Setswana oral traditions, stories resist fixed endings, while dreams become communicative spaces where ancestral presence and multiple temporalities emerge. Through layering personal and archival photographs, Moropa constructs images that remain open and unresolved, proposing the archive not as a static record, but as a living space shaped by care, imagination, and return.
     
     
     
     
  • Tshepiso Moropa has received significant international recognition, including the Out of Africa AwardContemporary African Photography Prize, and the V&A Parasol Foundation Prize for Women in Photography. Her work has been presented at Paris Photo1-54 London, and exhibitions including A Kind of Paradise at Museum Rietberg. Moropa has also participated in the RE-Memory Virtual Residency and PESP4 Art Creating Programme, and her work is held in multiple public and private collections internationally

    • Tshepiso Moropa The Joy, 2023 42 x 29.7 cm Digital Collage on Hahnemühle Photo Rag Edition of 10 plus 2 artist's proofs
      Tshepiso Moropa
      The Joy, 2023
      42 x 29.7 cm
      Digital Collage on Hahnemühle Photo Rag
      Edition of 10 plus 2 artist's proofs
    • Tshepiso Moropa The Showdown, 2025 45 x 45 cm Digital Collage on Hahnemühle Photo Rag Edition of 5 plus 1 artist's proof
      Tshepiso Moropa
      The Showdown, 2025
      45 x 45 cm
      Digital Collage on Hahnemühle Photo Rag
      Edition of 5 plus 1 artist's proof
  • "The collages I use are inspired by SeTswana (a language spoken in Southern Africa) folktales or folklores I used to hear growing up. These were stories that my aunt or my mother used to narrate to me when I was younger. I would often imagine how the characters or a particular environment would look as they recounted the story. I guess the collages that I create are a depiction of what I would think a particular folktale would look like."
     
     
    Tshepiso Moropa in SEE-ZEEN Magazine, READ HERE
     
  • "Figures are cut, layered and re-staged against stark white backgrounds, as if suspended between eras. The effect is neither nostalgic nor didactic"

    -Sean O' Toole for Visi Magazine, READ HERE

    • Tshepiso Moropa The Flying Girl, 2023 40 x 40 cm Digital Collage on Hahnemühle Photo Rag Edition of 5 plus 1 artist's proof
      Tshepiso Moropa
      The Flying Girl, 2023
      40 x 40 cm
      Digital Collage on Hahnemühle Photo Rag
      Edition of 5 plus 1 artist's proof
    • Tshepiso Moropa Hiding in Plain Sight, 2025 40 x 40 cm Collage with Hahnemühle Photo Rag Edition of 3 plus 1 artist's proof
      Tshepiso Moropa
      Hiding in Plain Sight, 2025
      40 x 40 cm
      Collage with Hahnemühle Photo Rag
      Edition of 3 plus 1 artist's proof
    • Tshepiso Moropa Who Knows Where The Time Goes, 2025 84.7 x 59.4 cm Collage with Hahnemühle Photo Rag Edition of 3 plus 1 artist's proof
      Tshepiso Moropa
      Who Knows Where The Time Goes, 2025
      84.7 x 59.4 cm
      Collage with Hahnemühle Photo Rag
      Edition of 3 plus 1 artist's proof
  • "They say that when the world sharpens its edge, a woman is the one who holds the tip of the knife, carrying its danger so others may pass safely.
     
    As she rode home from house to house, moving like women always have, she carried both child and memory with her, leaving her footsteps behind so no one would ever forget the way.”
     
  • About Tshepiso Moropa

    About Tshepiso Moropa

    Tshepiso Moropa (b. 1995) is a self-taught collage artist based in Johannesburg, South Africa. With an academic background in Psychology, Linguistics, and Research, her artistic practice engages deeply with African historical archives and oral histories.

     

    Moropa’s work begins in fragments: archival images, memories, folktales, and dreams, which she assembles into hand-crafted collages that feel at once ancient and futuristic, personal and collective. Working across both digital and analogue forms, she constructs visual narratives that reimagine the archive not as a fixed record but as a living and evolving space of possibility. Rooted in the oral traditions of her childhood, her compositions carry the emotional weight of stories passed down through generations, using symbolism, repetition, and abstraction to explore ancestral knowledge, inherited memory, and the dreamlike spaces where these ideas converge.

     

    Her practice increasingly extends beyond the flat surface into immersive installations, video art, and sculptural forms such as peep-boxes and dioramas. These intimate and exploratory spaces act as portals into poetic and emotive archives where the past and present are in conversation.

     

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